Word: ursula
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Dates: during 1960-1969
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...BANG! BRA-BANG! goes Ursula Andress, 29. And in about as fast a transition as anyone's emotions are ever likely to undergo, the hapless fellow is dead-gunned down by the twin pistols hidden in the girl's brassière. Playing a Jane Bond out to earn her diploma in legal killing from the Central World Government circa 2000 A.D., Ursula straps on the sexshooter and goes hunting for Marcello Mastroianni, 40, in a homicidal fantasy called The Tenth Victim, now being filmed in Rome. Studio technicians ad mit they're still trying to figure...
...Sellers), and calls forth memories of his sexual prowess, filmed appropriately in dull blue-grey hues. When O'Toole isn't reminiscing, he is bedding or about to bed Romy, a Crazy Horse stripper (Paula Prentiss), a groundling nymphomaniac (Capucine) or a nymphomaniac who descends by parachute (Ursula Andress). Sellers dresses up his cliche role with a pageboy wig and temper tantrums and is funnier than his costars, who play their parts as if for their own amusement...
...were in coy poses, some in semi-erotic, some had a phony "naughty-naughty" look in their eyes. The current Playboy shucks all that in favor of an actress whose view of nudity is that if it's classic, it's beautiful, even in Kodachrome. She is Ursula Andress, the girl who said yes in Dr. No. Why she also said yes to Playboy is no deep mystery. Though she says, "It's often sexier to keep your clothes on," and in fact refused to play a nude scene before the cameras, she cheerfully went along when...
...movie? They sure would-and did, when Carlo Ponti told them so. But last week the Missionary Sisters of the Sacred Heart of Jesus, the order that Mother Cabrini founded, showed it was just as adept at deflating phony publicity. "We feel very strongly," wrote Mother Ursula, president of Cabrini College, Radnor, Pa., "that Miss Loren is the worst possible choice to portray a holy woman." In the first place, there were "the bigamy charges." And secondly, her protest continued, "Sophia doesn't have the physique. Mother Cabrini was a small, slender woman. Miss Loren," Mother Ursula observed...
...Finally, Ursula Oppens came and played Beethoven. She played him as he should be played, with the overall lightness that this last of the rococo concerti deserves (for although numbered the First, this is actually the second of Beethoven's piano concerti, and in the last three he had completely transcended the form as Mozart had left it), yet did not slight the brooding moments foretelling what dark depths would be revealed in the composer's later music. In other words, she achieved the difficult synthesis of rococo and romantic that is Beethoven's music...