Search Details

Word: use (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...group of Harvard employees has formed an organiza n to protest the use of nuclear power in this country, and this week initiated a petition drive to express their protest to President Carter and Gov. Edward J. King...

Author: By Edward C. Forst, | Title: Harvard Employees Organize, Petition Against Nuclear Power | 4/27/1979 | See Source »

Harvard raised the stocks of Alcoa. Kaiser and Reynolds considerably with their use of aluminum today. The Crimson lashed out 15 hits, eight in succession in a nine-run sixth inning, and five went for extra bases. Resident axemen Bingham and Mike Stenhouse continued to baffle anyone with an arm. Both went 3-for-4 while Bingham lashed two long triples. In addition, outfielder Charlie Santos-Buch extended his hitting streak to six with a base hit to left during batting practice in the sixth...

Author: By Bill Scheft, SPECIAL TO THE CRIMSON | Title: Batsmen Bombard Rhode Island, 12-5 | 4/26/1979 | See Source »

Three Days of the Condor. Always use the back door. You never know, you may slip out for lunch one minute and return the next, pastrami and mustard in hand to find all your office mates spread across their desks, covered with blood. Meek and mild-mannered Robert Redford, who translates Russian novels for U.S. intelligence, came home to just such a spread, and leaving lunch aside, stepped into a phone booth and became "The Condor." The transformation is not complete--Redford is rather mild-mannered as a hero, too. When he calls into Central, he becomes a critical...

Author: NO WRITER ATTRIBUTED | Title: Just Because You're Paranoid... | 4/26/1979 | See Source »

...move through their familiar story on the Hasty Pudding stage, a curious feeling spreads through the theater--that the show is a farcical shadow of Shakespeare's play. The actors try to sink themselves into the pure emotion of the story and pay no attention to the words they use...

Author: By Scott A. Rosenberg, | Title: Wherefore Art? | 4/25/1979 | See Source »

...performers of these parts are to convince us of the trancendence of their bond, they must use the one tool Shakespeare gives them--his poetry. Its power is extraordinary, as when it switches from the prevalent formal diction to simple, direct monosyllables in the Act II meeting between the two lovers--so straightforward that its language has become a model for greeting cards and sentimental wallposters. Shakespeare never lets us doubt that the love of Romeo and Juliet is the offspring not of their hearts but of their dreams, their words...

Author: By Scott A. Rosenberg, | Title: Wherefore Art? | 4/25/1979 | See Source »

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