Word: use
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Dates: during 1970-1979
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...traditional Wall Street monolith with unassailable domestic and international financial operations and ties. Rogers likes to think of Stevens simply as a Board of Directors, a group of "human personalities" that give the corporation its powers, with self-interest their primary consideration. Rogers is a strategist; he tries to use the enormous financial power of the ACTWU and other unions to threaten the personal interests of Stevens directors and to force them to resign their directorships on the boards of Stevens and other corporations...
Stevens, meanwhile, remains relatively silent on the corporate campaign, making neutral but subtly alarmed statements like "If, in the future, we are to see the potential use of bank deposits and pension funds to dictate the operating policies of banks and corporations, then the future of our economic system will obviously be dramatically different than its past and present." The financial newspaper Barrons is a bit less muted. In an interpretive piece it said, "The ACTWU vs. J.P. Stevens is no labor dispute; it is class warfare in disguise...
...mayor of Boston for 12 years and that's long enough for anyone. His successes in City Hall must not be overlooked, of course: he helped to calm the city's racial disturbances and his well-oiled machine has brought more federal funds to the city. But his political use of the city's thousands of employees and his failure to funnel money either north or south of his pet projects exemplify the machine brand of politics he practices. To the tune of a million dollars in campaign spending, White wants to be the Richard Daley of the East...
...State Department had no comment yesterday on whether Israel's use of F-15s over Lebanon violates U.S. restrictions limiting the aircraft to self-defense missions...
...young heiress who comes to Aspen House on the death of her father in 1929. Three middle-class youths from the town, a factory center in the Midlands, fall in love with her. Two of them find the attraction fatal, but the third lives to tell the story and use it as the subject matter for his first novel. The pace is glacial, but the series is slowly - ever so slowly - engrossing. The acting is superb, and Christopher Blake is little short of wonderful as the shy but alway believable writer...