Word: used
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Dates: during 1960-1969
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After that, I went to the Central School of Speech and Drama in London for a condensed course on eighteenth century English drama, then returned to Harvard to use this training for She Stoops to Conquer. The problem with this show was that our experience with style and manners was extremely limited-Americans have no manners, we have Emily Post instead-and I was faced with the problem of either aiming for the external style or working first on the internal lives of the characters...
Thus, if a pillow is said to be a samovar, what it does is to be a samovar for as long as the actors say so, and by their use of it, the actors can show the non-Russian audience more completely what a samovar means to Chekhov's characters...
...most exciting theatrical experience of my life was watching Peter Brook's Grotowski-influenced experimental production of The Tempest in London, which he advertised as an "open rehearsal." I gather you did not want to use the words "opening night" or "production" in connection with Three Sisters...
...course. I'd like to use many of the same actors in my next production, which is to be Ibsen's Peer Gyat. What we have developed will be quite useful, since the conception involves every actor in the company playing different aspects of Peer. while at the same time once more denying the usual trappings of the play...
...students, which is good; however, the guidance that it offers, while quite helpful to beginning students, is not much in tune with "the new theatre." More importantly, the Loeb is too demanding as a theatre in that the expensive technical equipment which it houses cries out for use by the students. before they have begun to solve the more basic and fundamental questions of what theatre, acting, lighting, etc., really...