Word: used
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Dates: during 1960-1969
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...crowds of schoolchildren and official visitors that trooped through the older galleries found an even greater change. To make maximum use of space, museum architects had installed balconies within the old high-ceilinged galleries, creating a more human scale...
Kerr is entertaining, but his casual, anything-for-a-laugh approach can only confuse his less-experienced students. He never uses a measuring cup and knocks Fanny Farmer for her chemistry-class precision. But how are his viewers going to know that a Kerr "short slurp" equals one fluid ounce or that "one glug" means one and a half? Julia Child, appalled by his use of canned asparagus and packaged ham slices, writes his program off as "a desecration of fine cooking." He is producing "a personality show or a ladies' show," she says. "He's a tall...
...club owners to enrich its pension fund with $6,500,000 for three years; the owners are offering $5,300,000. Yet as the infighting got nastier, it seemed to turn into a classic test of strength. On one side, an owner threatened: "If we can't use major-leaguers, we'll fill up our rosters with minor-leaguers." On the other, Marvin Miller, the $55,000-a-year negotiator for the Players' Association, accused the owners of circulating a "misleading and deceptive propaganda document" and instigating "vicious personal attacks in the vague hope of destroying...
...steel tubs hung between four large tires -which is just what it is. It is also the smartest thing on wheels to a growing corps of Coot fanciers. They drive it through mud, up mountains, across lakes and into woods, all the places conventional vehicles cannot roll. They use it to hunt, fish, mend fences, find stranded sheep and haul fertilizer. The vehicle is also put into service by federal forest rangers and by a dozen law enforcement agencies for search and rescue operations in rocky country...
...PROGRAM is short, ending around ten, and the fourth movement--air--is less than ten minutes long. But it is the show's highlight. A cross-stage projection of red and blue light allows the two dancers--Miss Crouse and Miss Hurst--to use the depth of the stage in an extraordinary way. They move their faces and bodies in and out of the light, being and not being. This movement's score consists of music from the other three movements, recorded in an echo chamber, wailing back and forth across the stage like the turning of the spheres...