Word: used
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Hell, half the world wants to be like Thoreau at Walden," Painter Franz Kline once remarked, "worrying about the noise of the traffic on the way to Boston. The other half use up their lives being part of that noise. I like the second half." He painted the noise, in hurtling compositions that were apt to bear the names of locomotives or place-names of his native Pennsylvania coal country. Together with his fellow abstract expressionists, he split the Manhattan art world of the early 1950s into two camps. The conservatives damned them because their work not only obliterated...
Hardest of all was the use of color. Sporadically, through the years, Kline tried and failed. Black and white, the nouns and verbs of his paintings, could talk to each other in a stately pidgin English, but colors, the adjectives and adverbs, often garbled the conversation to an incoherent babble. Only in his last years did Kline make color do his bidding. Orange and Black Wall, one of his later paintings, lunges upward and off the canvas like a giant rocket, rising up on the strength of its flaming boosters. Red Painting mounts an enigmatic black rectangle in a morning...
...tone-clustered, highly contrapuntal and dissonant style. By his self-imposed rules, no note in a melodic line could be repeated until eight or so others had intervened. His work has an atonal quality that often sounds like Schoenberg's middle-period serialism. Yet Ruggles had no use for the strict twelve-tone row, which he called "a dog chasing its tail." He evolved his own technique. "You know that place in Sun Treader where the canon comes round and overlaps with its retrograde?" he asks. "It took me a year to make that turn...
...Taming of the Shrew, starring the Burtons, Zeffirelli dazzles the eye with a virtuoso use of color. His camera is a Renaissance palette. Courtiers stride by in the muted gold and crimsons of Piero della Francesca; cobblestones and horsemen diminish into the serene infinities of Uccello. Visually, Shakespeare has never been better realized-and seldom has he had so sensitive a collaborator...
...construct a playground where the Cambridge Redevelopment Authority said that it couldn't be built, he went to the President of the Standard Towel and Tissue Company and offered to name the back yard of his own company after the President if he would allow the children to use it as a play area. He created a little more building space in the area by convincing two companies to re-locate...