Word: used
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Dates: during 1970-1979
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...seven minarets when National Guard troops suddenly burst through the gates of the mosque and armored vehicles with artillery and machine guns quickly encircled the Ka'ba. To minimize damage to the mosque, the government had ordered its troops to move in with knives and to use them in hand-to-hand combat, with the backing of snipers and expert marksmen...
...That is not quite correct. I was asked in Parliament what my attitude as Prime Minister was to the word apartheid. It is an Afrikaans word, and personally I think it cannot be properly translated. I prefer to use the term "good neighborliness" because that is what our policy is: good neighborliness of peoples governing themselves with mutual respect. I answered that the apartheid our enemies presented to the world was dead. I will see to it that our enemies do not succeed in creating the idea that we are a lot of racists...
...most blatant use of television diplomacy occurred last Sunday when Khomeini, who refuses to give official U.S. emissaries the time of day, met separately with network correspondents. The interviews contained his first threat to try the hostages for espionage, and showed how the Iranians manage the news. Playing the ratings game, they reneged on a promised exclusive to the Public Broadcasting Service's Robert MacNeil, who left Iran in a huff after waiting in vain for two days...
Such scenes can best be conveyed by the use of the word decadence, whose reality I first encountered in Weimar Germany, and which so easily turned into Hitler's Third Reich. In England they have coincided with the decline of British power and influence in the world, and the transformation of an empire on which the sun never set, into a ramshackle and absurd commonwealth in which it never rises. Whereas our grand fathers found their heroes in empire builders celebrated by Rudyard Kipling, we have had to make do with expertise in espionage celebrated by Ian Fleming...
...villains of either sex. By such omissions, it departs dramatically from films like An Unmarried Woman and Alice, which feature warm, wholly sympathetic heroines and men who are usually either bastards or saints. Kramer also breaks with nearly all the other unmarried-women and -men movies by refusing to use infidelity as a catalyst in its plot. Ted and Joanna Kramer are one film couple whose conflicts run so deep that they do not begin and cannot end in the bedroom...