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Word: uses (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...people in the U.S. I told them it wouldn't hurt Russia a bit." Two months ago Ed left for Europe with a bunch of Indianapolis businessmen on a tour sponsored by the Indianapolis Chamber of Commerce, and when he got to Helsinki, he decided to use his visa...

Author: /time Magazine | Title: PERIPATETICS: VIP | 10/31/1949 | See Source »

Hale & hearty at 82, the Queen Mother has no use for weakness of any kind. Her standards are as rigid and unchanging as her styles in hats and dresses. At one of her rare visits to an exhibition of modern art, says Wulff, "Queen Mary frankly did not like what she saw . . . Rather than offend the feelings of the artist by expressing her opinion, she remained silent...

Author: /time Magazine | Title: Foreign News: Her Majesty | 10/31/1949 | See Source »

...best way to prevent cancer, Hueper believes, is to cut out, or at least cut down, the conditions of contact; better yet, use harmless materials instead of those with cancer-producing properties. Some industries have already made a beginning, he noted, but the process could be stepped up by spreading the word on environmental causes of cancer through industrial management and "health agencies, including the medical profession...

Author: /time Magazine | Title: Medicine: Prevention Preferred | 10/31/1949 | See Source »

...admired "its vitality, its litter and its waste." Bad taste, Léger once remarked to Critic James Johnson Sweeney, "is also one of the valuable raw materials of the country. Bad taste, strong colors-it is all here for the painter to organize and get the full use of its power. Girls in sweaters with brilliant-colored skin; girls in shorts dressed more like acrobats in the circus than one would ever come across on a Paris street. If I had only seen girls dressed in good taste [in the U.S.] I would never have painted my cyclist series...

Author: /time Magazine | Title: Art: Fire! | 10/31/1949 | See Source »

...their use of color the paintings of the impressionists were like windows looking out onto sun-filled space. Van Gogh's were more like lamps; the powerful contrasts of pure color created an effect of light-vibration which was not confined to the pictures themselves but seemed to radiate from them. And where the impressionists minimized drawing, he applied an oriental concept that he had learned from studying the woodcuts of the 19th Century Japanese artists, Hiroshige and Hokusai. To Van Gogh, as to the Japanese, line was more than a lasso for capturing shapes...

Author: /time Magazine | Title: Art: Agony, Bliss & Hard Labor | 10/31/1949 | See Source »

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