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President Barack Obama called for increased use of renewable energy and levied criticisms against opponents of the energy and climate bill now making its way through Congress during a speech at MIT on Friday...
Obama challenged lawmakers to pass comprehensive clean energy legislation and touted the benefits of the current cap-and-trade proposal that he said would make the “best use of resources we have in abundance,” including biofuels and wind and solar energy...
...instrumental use of female voices in the third movement complemented the ebb and flow of orchestral sound, adding yet another textural layer to existing pentatonic harmonies. The tonal color of the choir was concentrated in the high sopranos, whose vocalizations meshed seamlessly with the full orchestra to personify a tempestuous...
...original portrayal of Richard II cast the ruler as weak, poetic—even feminine—and constantly struggling to live up to his position. The decision by director Meryl H. Federman ’11 to use only female actresses for this production appears to be motivated by this original depiction, and it is a choice that defines the play. The production makes no effort to bring any other new aspects to the script, relying solely on its unorthodox casting to make its claims about femininity...
...Richard, second year Harvard Law School student Nicole Kinsley is remarkably successful in uncovering unexplored depths of her character. Her performance as the king is the undoubted triumph of the production and lends some justification to the use of an all-female cast. Initially, she seems uncertain in the role; it is very apparent that she is a woman trying rather unsuccessfully to play a man. As the play progresses, it becomes evident that this characterization is deliberate: Kinsley’s struggles with masculinity mirror those of Richard’s with kingship. Eventually, Kinsley blossoms, becoming a fascinatingly...