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Word: usual (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...strange sensation of walking into the Garden without a ticket and, even stranger, being directed to a seat by a polite, quiet-voiced usher who seemed to know the difference between a shepherd and a sheepherder. Second was the clear air of the Garden's interior without its usual blue haze of cigarette smoke; hot-dog stands throughout the building were cigaretteless for the duration, and strips of cardboard covered the signs that normally announce "BEER" (a checkroom was converted to a Bible shop). Third surprise was the crowd itself: quiet, well-dressed, all ages-there was nothing...

Author: /time Magazine | Title: Religion: God in the Garden | 5/27/1957 | See Source »

...assertive husband of Nanette Fabray and Janet Blair. Some argue that Caesar's artful lampooning of silent films, opera, foreign movies and other TV shows goes over the heads of millions of viewers. NBC surveys have found that his popularity is heaviest in big cities and, contrary to usual TV form, greatest among college graduates. Snorts Caesar at this: "I had bananas up my ears last week and grapes in my nose. It's not a sophisticated program, but I will not play down...

Author: /time Magazine | Title: Television: Decline of the Comedians | 5/27/1957 | See Source »

...resolution of the problem of color and texture. This painting radiates heat by close color combinations and it is no wonder that it has made some people nostalgic for desert country of the West. A very different but equally successful atmosphere is created in the more subtle here than usual, more wintry and thoughtful than the favorite spring and summer brightness of Gerassi's latest period...

Author: By Lowell J. Rubin, | Title: Fernando Gerassi | 5/25/1957 | See Source »

This provides formidable competition. Next to Rouault, Max Beckmann's strength, coherent though it is in both still life and portrait, becomes an inflexible and dry stiffness. Bradley Walker Tomlin's vivid pattern of color dabs appears insubstantial and weak. Even Miro's usual verve and wit fail to bring his Lasso to satisfying completeness. Yet, such free-swinging abstractions as Toti Scialoja's or Richard Diebenkorn's, have far less to say. Their absence of representational basis is perfectly acceptable but their lack of aesthetic articulation...

Author: By Paul W. Schwartz, | Title: The Pulitzer Collection | 5/25/1957 | See Source »

...personalities and incidents concerning all but the two main characters are submerged in the usual modernized cowboy-and-Indian routine, punctuated with moral statements such as "A man has gotta fight for what he believes in" and the like...

Author: By Gerald E. Bunker, | Title: For Whom the Bell Tolls | 5/20/1957 | See Source »

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