Word: utamaro
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Artful but not arty, Spirited Away is a handcrafted cartoon, as personal as an Utamaro painting, yet its breadth and heart give it an appeal that should touch American viewers of all ages. Our advice to parents: Take the kid. And for an enthralling two hours...
...missed at this exhibit is Cassatt's beautiful but lesser known series of drypoint and aquatint color prints from 1890-91. These prints, inspired by a similar series of woodblock prints by the Japanese artist Kitigawa Utamaro, depict daily domestic scenes of female life. Subdued colors and clean lines give these prints a charming simplicity. But the Museum of Fine Arts has not done the best possible job of showing the close links between Cassatt's style and the style of the original Japanese prints that inspired her. At the Art Institute of Chicago, where the Cassatt exhibit first opened...
These, like the doings of sumo wrestlers and high-class prostitutes, gave a rich subject matter to 18th century graphic artists like Suzuki Harunobu, Kitagawa Utamaro and the theater caricaturist Toshusai Sharaku, whose image of the actor Otani Oniji III playing a samurai's manservant, all red-rimmed eyes and stylish snarl, is a deliciously succinct expression of fictive bloody-mindedness. Through the medium of prints, the range of things that could be depicted widened to take in all Japan. Katsushika Hokusai's Thirty-Six Views of Mount Fuji and Ando Hiroshige's Fifty-Three Stations of the Tokaido...
Vincent was ill when he arrived in Aries, jittery from booze, racked with smoker's cough. He had expected, curiously enough, that the place would look like one of the Japanese prints by Hokusai or Utamaro that had been circulating among avant-garde painters in Paris. In a way it did: the ground was covered with snow, like the top of Fuji. But soon it (and he) melted, and in his letters no less than in his paintings one sees the colors that sign his Arlesian period, the yellow, ultramarine and mauve. In the late spring, "the landscape gets...
...Japanese art of wood-block prints flourished in the late 18th century when masters like Kitagawa Utamaro illustrated kyoka, a form of comic verse. In A Chorus of Birds (Metropolitan Museum of Art-Viking; unpaginated; $17.95), the season's most unusual book, Utamaro's animated sparrows and hawks, roosters and owls move through a fused world of nature, art and literature. A further enchantment: the volume is not conventionally bound; the accordion-pleated illustrations open into a 30-ft. frieze...