Word: utopias
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Dates: during 1940-1949
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...novel, Graves has brusquely abandoned a world that is so out of step with him and has created a Utopia-a world named New Crete, where, after Christianity has been destroyed by world wars, man has at last recognized the Goddess. The hero of it all is a Rugby-and Oxford-educated poet by the name of Edward Venn-Thomas...
...should provide for the income groups which he cannot help, partly because of inflated building costs. There must be Federal coordination from the top to aid and advise local groups, to plan better cities, and to prevent destruction of present facilities even for the purpose of improving them. No Utopia is in sight, but the 81st Congress, when it assembles on January 3, cannot long delay a start toward improving a situation in which one third of the nation lacks adequate shelter...
...rather be myself . . . Myself and nasty. Not somebody else, however jolly." So declaims the unadjustable hero of Brave New World, Aldous Huxley's satiric fable about a totally efficient, totally soulless Utopia. This defense of the unreconstructed individual, who refuses to run with the mob, is a central theme in much of Huxley's writing, and it spills all over his latest novel. But where Brave New World was a neat stiletto jab into the tender hide of the reforming perfectionists, Ape and Essence, a poorer novel, is a rather crude bludgeon indiscriminately aimed...
...Eminence, the Arch-Vicar of Belial, Lord of the Earth, Primate of California, Servant of the Proletariat, Bishop of Hollywood," explains to Poole that the triumph of his lord was assured by the rise of two doctrines during the pre-atom era: "Progress and Nationalism . . . the theory that Utopia lies just ahead and that, since ideal ends justify the most abominable means, it is your privilege and duty to rob, swindle, torture, enslave and murder . . . [and] the theory that the state you happen to be subject to is the only true god . . . and that every conflict over prestige, power...
Desperate Jeremiad. In the past, the report of the contemporary traveler on a future society or imaginary land (Edward Bellamy, Sir Thomas More) has often been used as a vehicle to show what a wonderful Utopia awaits man. In Huxley's hand this form becomes a desperate, overworked and sometimes incoherent jeremiad directed against a destruction-bent, unheeding world. As a satirist, Huxley has neither Swift's passion nor Celine's gusto; he simply can't stand the world any more, not even enough to pillory...