Word: utrillo
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Dates: during 1930-1939
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...reads Paragraph 1,807 of U. S. Public Law No. 361, the Tariff Act of 1930. Its legalistic loophole: the word "original." Last week it appeared that Manhattan customs officials had squeezed certain of the grey-and-chalk Paris street scenes of Maurice Utrillo through the loophole, ruling that they were copies of postcards, therefore commercial rather than original art, therefore dutiable at 15% of the price they fetched in France. Duty was applied specifically on one importation of Manhattan's Perls (pronounced perils) Galleries, Rue Saint-Vincent a Montmartre; and on a score imported by the Valentine Galleries...
...Utrillo partisans could not deny that he often uses postcards as departing points for paintings of Paris street scenes which he knows well. But they could think of other Utrillo inspirations besides postcards. Among the earliest were lumps of sugar soaked in absinthe which his mother tossed him when he was ten to shut him up. By the age of 15 he was drawing steady inspiration from gin and whiskey bottles. By the '305 he had moved on to lamp fuel, mentholated alcohol, petroleum, benzine, eau de cologne, ether, with opium and hashish on the side. In 1936 London...
...much for the tempers of hardworking Paris artists, tired of tales of their amorality, was publication in Paris-Soir of a lurid Life & Love of Maurice Utrillo. Sad-eyed, lanky Artist Utrillo got a tosspot reputation in his youth, produced, nevertheless, many serious and hauntingly gifted paintings, and for at least ten years has been sober as a church. The Life & Love was accordingly branded "A tissue of lies, calumnies and erroneous or tendentious information" in a manifesto issued by 54 furious artists and critics, including such noted names as Derain, Picasso, Kisling...
...Eight Picassos of different periods (he has had eight so far: Realist, Toulouse-Lautrec, Blue, Rose, African, Cubistic, Neo-Classical and Surrealistic) were surrounded by canvases by Bauchant, Bonnard, Braque, Dali, Derain, Dufresne, Dufy, La Fresnaye, Leger, Lurçat, Matisse, Miro, Modigliani, Pascin, Redon, Rousseau, Rouault, Segonzac, Soutine, Utrillo, Vuillard...
...Bolivar Manson, a cherubic oldster whose talents as a mimic are highly prized among his friends. As director of the Tate, Mr. Manson built up its modern collection but has shown something less than a devouring interest in the minutiae of modern art. Last year the French painter. Maurice Utrillo, ten years a sober man, brought a libel suit against him and the gallery (TIME, Jan. 18. 1937) and last month won a public apology for having been listed in a Tate catalogue as dead of alcoholism. No sooner was that over than Director Manson became embroiled in another ruckus...