Word: utters
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Dates: during 1990-1999
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...with blue dot pattern. Black suit, very bright red tie, with blue and yellow flecks. Bush's flecks were larger than Clinton's dots. Gray suit, tie with wide diagonal dark, medium and light blue stripes. First tie without any red in the debates. Body Language .Looks of Utter Disbelief--7 .Looks of Disbelief Directed at Bush--7 .Looks of Self-Satisfying Inner Confidence--3 .Phony Exaggerated Grins--1 .Multi-second Dramatic Pauses--5 .Looks of Utter Disbelief--2 .Looks of Repressed Anger--6 .Looks of Deep Sadness with Regard to Bill Clinton's Character--2 .Phony Exaggerated Grins...
Apart from some questions of structure, the play does have many aspects worthy of praise. The variety of scenes and characters is a novel concept, and was deftly handled by the playwright. One might fear that the numerous scenes and characters would be utter chaos on the stage with a cast of six, but Gurney's handling of the scenes lives up to the playwright's fame...
...seemed to have the slightest clue what was going on. The featured speaker, the deputy field director for Clinton's campaign, was intrepid but incompetent--a dangerous combination in politics. Her attempts to make group plans for visibility events, phonebanking, Clinton's Faneuil Hall rally and leafletting met with utter confusion: after an hour and a half, everyone was still baffled...
They had not. George's mentor, former Director William Casey, was legendary for his utter contempt of Congress. The same attitude was expressed by former senior CIA officer Ray Cline, who complained after George's indictment last fall that "the only thing Clair has ever been accused of is lying to Congress." In the eyes of some agency veterans, Alan Fiers, chief of CIA's Central American Task Force, who admitted his own guilt in lying to Congress, was a "turncoat" for testifying against George; current spy chief Thomas Twetten was deemed a hero for stonewalling...
...still slice cleanly. No matter how many times you see the small locomotive steaming from the living-room fireplace in his Time Transfixed (1938), with the mantel clock pointing to 12:43 and every grain line in the wooden floor in place, it will still come from behind its utter familiarity and surprise...