Word: vaginae
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...health teacher or by a science instructor who drew the short straw. Kristen Jordan is not one of those teachers. Walk past her classroom on the first day of sixth grade and you'll hear her leading the students in an enthusiastic chorus of "Penis! Penis! Penis! Vagina! Vagina! Vagina!" "Until they can use the real names for their body parts without giggling," she explains, "you can't talk to them about anything serious." The attractive 27-year-old with straight blond hair is one of those rare souls who not only tolerate middle schoolers but also enjoy them...
...Common Casting can be daunting,” says Lei’La’ R. Bryant ’11, one of the directors of “The Vagina Monologues.” “In the fall of my freshman year, my roommates and I auditioned, and no one got callbacks. It was very stressful.” According to Bryant, “The Vagina Monologues,” which aims to celebrate female sexuality and promote female empowerment, also provides a welcoming atmosphere for women who are new to the theater scene at Harvard...
...misfits recruited by Zack and Miri to translate their porno vision into reality. Traci Lords and Katie Morgan bring their experience in pornography to the film, compensating for Rogen and Bank’s dire lack of finesse. Lords plays Bubbles, whose talent for blowing bubbles out of her vagina may actually be the best thing in the film, while Morgan portrays Stacey, the porno version of Elle Woods—she even has a little Chihuahua. “Clerks” fans will be happy to see Jason Mewes as Lester, the heavily tattooed village idiot who knows...
...window. (She describes Mrs. Houghton's death as a "swift and speedy end," as if those two words meant different things. And it's amazing that anyone could write, let alone publish, the following sentence: "That was the defining moment of great sex--when the penis met the vagina.") Bushnell also seems to have no sense of self-preservation: she should never, ever write about blogs or indeed anything having to do with computers or the Internet or probably electricity...
...them -- a real feat of curatorial borrowing power. The recurrent shapes in these are two black forms -- the circle and a bow tie, or diabolo -- which overlap and dance in deep space in swarms, with uncanny and magical precision, alternating with other signs from his repertoire: eye, face, star, vagina, hairs, moon, bird. They are defined and linked by a wonderfully stringent and rhythmic play of black lines. These virtually define Miro's vision of cosmic unity, and they are a pictorial feat of the highest order. You can imagine Miro's Gothic ancestors nodding in approval at such miniatures...