Word: vaginas
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Dates: during 2000-2009
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...concept of “universal women’s experience” is highly problematic, but incredibly marketable. If a set of monologues and “Vagina Facts” can represent half the world’s population, then the Monologues has a huge audience of people who can relate to and enjoy the show...
...have not had the opportunity to go to college, who are excluded from performing since the bread and butter of Ensler’s enterprise is V-Day performances at colleges and universities? Where is the transsexual woman who loves her female sexuality, who came about loving her vagina in a different way than the voices that are shown? What about people who don’t want their vaginas touched, not because of any particular sexual trauma, but because that is not how they choose to be sexual? These are the voices that we should seek...
...there’s one thing you can’t deny Ensler, it’s that her play does encourage dialogue about the vagina. If that expands to include broader discussions of patriarchy, gender and sexuality, great. Ensler’s woman-types are more affirming and complex than those presented in much of Western culture. But if it stops with Eve’s Vagina, then we’re not much better off than we were before...
...have a vagina. I don’t ask it what it wants to wear or what its name is or what it wants to eat for breakfast. Asking a vagina to talk is a cute rhetorical device to start a discussion. But that is all it is. It is not going to work for everyone—generally a requirement for something to be “universal”—and it’s not going to always get people to talk about their experiences...
...stay out of my vagina...