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...master without masterpieces. Instead of singular pictures, his body of work suggests a group portrait: one vast, remarkable family, with genetic similarities more noticeable than the vagrant differences in individual ambition, audacity or achievement. Each sibling carries his or her own snapshots: the weary hostility that spills across a kitchen table in The Merchant of Four Seasons; the riff of revenge in The Bitter Tears of Petra von Kant when a quiet young woman walks out on her longtime dominatrix to the bluesy strains of The Great Pretender; the logger-heading of fear and desire in a dozen Fassbinder movies...

Author: /time Magazine | Title: Cinema: Master Without Masterpieces Andres Segovia: 1893-1987 | 9/27/1982 | See Source »

There are a few longueurs, and moments when the plot trips, like Jeremy, over its own complications. Even here there are vagrant delights: a funny, scary chase scene, hints of death and resurrection, and enough sci-fi elements to keep teen-agers happy. But The Secret of NIMH is more important as Bon Bluth's declaration of dependence on a form of popular art that can infuse every corner of the imagination with its rainbow light. If Uncle Walt were to gaze on his renegade nephews, even he might approve...

Author: /time Magazine | Title: Cinema: Bright Rats, Bright Lights | 7/26/1982 | See Source »

...weak, incoherent minds, the yearning antiself rises up and breaks through a wall into actuality. That seems to have happened with John W. Hinckley Jr., the young man who shot Ronald Reagan last year. Since no strong self disciplined his vagrant aches and needs, it was his antiself that pulled the trigger. It was his nonentity. The antiself is a monster sometimes, a cancer, a gnawing hypothesis...

Author: /time Magazine | Title: Essay: Daydreams of What You'd Rather Be | 6/28/1982 | See Source »

...suspect is neither a local vagrant breaking in to steal stereos nor your customary late night prowler. This thief steals laundry--and women's particular. One student claims to have lost more than $200 worth of clothes in a theft from the Holworthy laundry room last month...

Author: NO WRITER ATTRIBUTED | Title: Keeping Track... | 4/17/1982 | See Source »

Whatever the intent, the result is an aimless bust, unencumbered by a visual or structural scheme. It wanders through a series of tony boîtes, boutiques and hotel lobbies in the vagrant hope of witnessing a privileged moment. Those are likely to occur only when Hepburn is onscreen. At 52, the eternal gamine has become a figure of icy chic; the lilt in her voice now has the gravity of years; she has barely a line to speak in the film's first hour, and too many silly words in the second. But she is still a radiant...

Author: /time Magazine | Title: Cinema: Aimless Bust | 11/23/1981 | See Source »

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