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Despite the actresses' fine performances, there is a facet of their characterizations that creates a nagging, if minor, disappointment. Bertie, Freddie, Algy and Bobby were intended by playwright Merriam to represent paradigms of upper class hauteur--to be gleefully chauvinistic, without the vaguest hint of guilt at their authoritative misjudgments of women. In a larger sense, the quartet was to exemplify all such men of affluence. But this is precisely where the show stumble, for Benfer, Mc Millan, Task and Val-Schmidt all work too hard at aping this stereotype. Striving to be warbling Everymen, they fail to make their...

Author: By Judy Bass, | Title: Jimmy and the New Goliath | 11/16/1977 | See Source »

...office convinced that solutions to many problems were far easier than others had thought. One of Carter's counselors affirms his intelligence but observes: "The greatest problem facing the nation today is Carter's lack of experience." Neither Carter nor his aides, declares this fellow, had the vaguest idea what the Lance case was costing them, or how to resolve it, until in desperation Lance reached out and called in Lawyer Clark Clifford...

Author: /time Magazine | Title: THE PRESIDENCY by HUGH SIDEY: Searching for that Special Formula for Leadership | 10/3/1977 | See Source »

Taylor's trust is placed mostly in his dancers and in his own imagination. When he arrives at his cramped Manhattan studio, he has only the vaguest notion of what he will create. He starts by working out movements using the dancers as a sculptor uses clay. He may throw out weeks of expensive rehearsal time if things do not progress properly. This year's Images, an innocent but enigmatic piece that evokes ancient rituals, did not jell. "I started out with a nice Schubert piece," Taylor recalls, "but after two weeks I saw I was getting nowhere...

Author: /time Magazine | Title: Dance: The Terrific Tempo of Paul Taylor | 7/18/1977 | See Source »

...mean it. For him it is "that wall to lean my back on," the Berlin Philharmonic. Such is the trust between Karajan and his musicians that he often conducts with his eyes closed. "I can feel the players better," he says. He gives few entry cues and the vaguest of cutoff gestures. Explains Karajan: "Baton technique is what the people see, but it is all nonsense. The hands do their job because they have learned what to do. In the performance I forget about them. The molding comes when the orchestra and conductor come together in a sort of union...

Author: /time Magazine | Title: Music: Karajan: A New Life | 11/29/1976 | See Source »

Dianetics, retooled as the religion of Scientology, has since developed most of the accouterments of other faiths-liturgies, clerical collars, but only the vaguest sort of theology. Unconvinced that it was indeed a religion and noting that Hubbard received 10% of all revenues, the Internal Revenue Service in 1959 got the courts to deny Scientology a tax exemption. Later, however, Scientology beat an ill-conceived medical fraud case against E-meters by the Food and Drug Administration, and has won limited recognition as a religion...

Author: /time Magazine | Title: Religion: A Sci-Fi Faith | 4/5/1976 | See Source »

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