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Viewer protection, for example, explains the shape of San Francisco's Embarcadero Fountain, designed by Canadian Sculptor Armand Vaillancourt. Its writhing concrete contours have been described as "Stonehenge unhinged with plumbing troubles," but the fountain splashes no passerby. It is, however, laced with "lily pad" walks that offer a spray-drenched way, daring visitors to walk beneath its eccentric geometry...

Author: /time Magazine | Title: Architecture: Shaping Water into Art | 9/12/1977 | See Source »

...authenticity of the canoe builder is also undeniable. Henri Armand Vaillancourt is a 25-year-old bachelor who lives in Greenville, N.H., and thinks and talks exclusively about canoes. Refreshingly un-Thoreauvian, he prefers Tang to spring water when eating his homemade beef jerky. Vaillancourt is one of the last men in North America to make canoes the way the Eastern forest Indians made them. He is not only the keeper of an art but also an endangered species of American. In his " own beautifully crafted work, McPhee | treats both man and boat with all the respect and admiration their...

Author: /time Magazine | Title: Books: Notable | 12/15/1975 | See Source »

...success of the play depended on them; unless we are made to feel that they are men of higher moral value than Shylock the play is a heap of incoherence. I would also single out the Prince of Morocco (Curt Anderson), Salerio (John Sedgwick), Nerissa (Meg Vaillancourt), and Jessica (Andrea LaSonde) for their well-executed performances. Launcelot Gobbo (Kevin Grumbach) did some unexpectedly successful things with some of Shakespeare's least inspired clown material, and his father (Peter Frisch) served him as an effective foil. Lorenzo (Danny Snow) managed to project a kind of cortesia Castiglione would have recognized...

Author: By Paul K. Rowe, | Title: What Ho! on the Rialto | 11/19/1975 | See Source »

...platform, Hoving and the civic dignitaries droned out their genial platitudes while Vaillancourt waded to and fro beneath them, imprinting more QUEBEC LIBRES on his fountain. Now and then, he advanced to the mikes and cameras at the pool's rim to explain in loud and broken English his rage at "compromises," which, he claimed, Halprin and the Redevelopment Agency had pressed on him. Defacement? "I am not defacing my sculpture." Did he repudiate it? "No, no. It's a joy to make a free statement. This fountain is dedicated to all freedom. Free Quebec! Free East Pakistan...

Author: /time Magazine | Title: Art: War Whoop for Freedom | 5/3/1971 | See Source »

...Vaillancourt has done numerous other sculptural commissions in Canada, including two for Expo 67. Politics aside, his San Francisco fountain is a most impressive piece of urban statuary, giving a much needed accent to the wide expanse of Embarcadero Plaza. But the furious Vaillancourt refuses to admit that there can be any separation of art from politics. "I am a very emotional man," he explained. "It is all the same thing." Then, prodding his middle finger upward in the direction of the speakers' platform, he added: "And if they do not like it, f- them...

Author: /time Magazine | Title: Art: War Whoop for Freedom | 5/3/1971 | See Source »

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