Word: validator
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...other man (supposedly he is suffering from "alienation, reification, frustration, want, solitude, against a suspected background of possible plenitude"--but that's another story). Even the Invisible Man, who lives in a hole in a basement lit by exactly 1369 light bulbs, cannot be allowed--as a valid literary invention and especially as a black man--to shirk the contradictions of the whole planet: let's say, the contradiction between the atomic war and the people's war. This demand isn't as finicky as it sounds. The precise form of his awareness isn't too important: "A vague anguish...
...Professor of Medicine at Mass General Hospital, has an official interest in the academic acceptance of the field. He is chairman of Harvard's cancer committee and says, as does Frei, that the basic biology of the cancer tumor, and the subtle distinctions that make its cells malignant, are valid concerns for the basic scientist/pure academic...
...fellow psychologists for siding with self-gratification over self-restraint and for regarding guilt as a neurotic symptom? Because, after years of study and his "avocational interest in evolutionary theory," he has finally come to believe that religion and other moral traditions are not only useful but scientifically valid. So explained Northwestern Psychologist Donald T. Campbell, 58, in his address at the A.P. A. convention in Chicago last week...
...dance program at Harvard is very young--and still struggling its way to the forefront to tbe recognized as a valid educational experience. One glaring problem with Harvard's dance program is lack of facilities. The Radcliffe Gym, which until now has been the primary location of dance activity, is run by Harvard Athletics, which charges rent for the little space it can afford to give. Discussion about building new facilities for dance and women's athletics--at the Quad or near the football field--has not progressed far beyond that stage. Dance is the only art form for which...
...demands on the viewer's eye and sense of history. This is not a matter of good or bad, only of tone of voice, and Smith's discourse is so controlled, so free of aesthetic cliquishness and so fastidious in its loyalty to painting as a still valid medium that he must be accounted one of the most original artists of the past decade...