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Aesop contends that calling rap a “poem on a beat ... is pretty valid,” and that the many parallels between the two forms are “not a coincidence.” But he also stresses that “overinterpretation happens a lot” when critics try to analyze his convoluted flow, probably because his work is “not as linear” as their preconceptions of rap allow. “You get used to it,” he sighs, with the seemingly unperturbed air of the superscrutinized...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Aesop Rock, King Poetic? | 5/5/2005 | See Source »

Aesop contends that calling rap a “poem on a beat ... is pretty valid,” and that the many parallels between the two forms are “not a coincidence.” But he also stresses that “overinterpretation happens a lot” when critics try to analyze his convoluted flow, probably because his work is “not as linear” as their preconceptions of rap allow. “You get used to it,” he sighs, with the seemingly unperturbed air of the superscrutinized...

Author: By Will B. Payne, | Title: Aesop Rock, King Poetic? | 5/4/2005 | See Source »

While the event occurred during pre-frosh weekend, the afterparty was restricted to undergraduates to ensure the right to distribute alcohol to those with valid IDs, according to Lauren P. S. Epstein ’07, the chair of the UC’s Campus Life Committee...

Author: By Joshua P. Rogers, CRIMSON STAFF WRITER | Title: Springfest Sees Small Turnout | 5/2/2005 | See Source »

Critics would argue that no one has the right to create a hostile environment for others. A boss who demands sexual favors for promotions or a co-worker who threatens to harm another worker should not be tolerated. Nonetheless, these valid concerns should be differentiated from an expansive political correctness that is, in reality, an attempt to protect people’s feelings. While threats or physical action against a co-worker are illegal and prosecutable, an ill-placed joke or an out-of-the-mainstream opinion is not. Harvard, at least on paper, recognizes this fact. The Handbook...

Author: By Ashish Agrawal, | Title: The Death of Discourse | 4/26/2005 | See Source »

...story really belongs to Tranio (Joseph L. DiMento ’05), a slave who has more than a reprimand to worry about if caught. Unless he can fool Theopropides into believing that the money has vanished for perfectly valid reasons, he can look forward to a crucifixion in his near future. The bulk of the play consists of his various attempts to fool Theopropides, who makes a wonderfully gullible victim until he is forced to face the truth...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Updates to Classic Amuse the Modern | 4/25/2005 | See Source »

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