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...From "The Immoral Mr. Teas," his first nudie in 1959, to "Beneath the Valley of the Ultravixens," his last sex comedy 20 years later, virtually every Meyer movie was a tale of two titties (or four, six, eight, as many as Russ could get his hands on) - a celebration of women who were bulbous of breast. His actresses toted breastwork so gargantuan they nearly ceased to be human; they were critters of another species, perhaps not animal but mineral, their topography of sexual interest only to size freaks. The unleashing of what Meyer would call a woman...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...location. Their relationship, professionally symbiotic, was personally strained. After an operation, she told Russ: "I hope you're satisfied: I can never have a baby now." They divorced in 1970, and Meyer married Edy Williams, the starlet-visaged, harlot-configured ornament to his first studio film, "Beyond the Valley of the Dolls." Edy had a glamour-babe ego ("I wake up every morning and just start kissing myself") without the acting goods to back it up. By the time she become a fixture of fun at the Cannes Film Festival, Edy had skipped Famous and gone directly to Notorious...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...Beyond the Valley...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...sluice gate to torrents of mannered enthusiasm. I'd followed Meyer since around 1960, when I saw "Teas" at an "art" theater in Philadelphia, but I didn't strap him on till the color comedies. Later I was vagrantly known as the guy who had named "Beyond the Valley" one of the ten best films of the '60s. (I don't have the clipping, but it's entirely plausible - I quite liked the movie...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...affectionate acronym) marked the most tonic collaboration-collision of an indie filmmaker and a major studio. 20th Century Fox, which owned the rights to a sequel of the Jacqueline Susann book and hit film "Valley of the Dolls," hired Meyer for the job; and Meyer hired Ebert to write the script. It was just at the time - call it the "Easy Rider" era - when studio bosses briefly convinced themselves they knew nothing about the huge new youth audience and were ready to hand the keys over to dopers, arty types and the occasional tittenfilmer...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

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