Word: valleys
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Dates: during 1990-1999
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...part of her identity and her human need for happiness. She is not embarrassed if in the past she was foolish or hypocritical: in "Earthly Love" Gluck admits that she once avoided clear self-perception and claims, "And yet, within this deception,/true happiness occurred." In "Descent to the valley," she describes her old vision of life as an upward climb into light followed by a descent into uncertainty, and then states, "I have found it otherwise...
...group of a prom queen, geek, jock, basket case and criminal in The Breakfast Club learned the warm, fuzzy lesson that they can all be friends despite their social differences. And of course there is the ultimate in teen popularity movies, the brilliant Clueless, which mercilessly satirized ultra-rich Valley Girls and the high school scene in one fell swoop...
...accessible--it was like going to church after a two year hiatus--and sometimes experimental. Sanders Theatre sold out to an audience that erred on the side of grown-up but was livelier for it. We all clapped to the beat as Joan Baez jigged and the Charles River Valley Boys covered the Beatles. The program became a kind of historiographic French smoke where the congregation pulled old records from the cabinet. Reassured by the immediacy of older artists like Baez and the Charles River Valley Boys, the audience proceeded to transform that sense of legacy into a sense...
...folk music any Harvard undergraduate could hope for. Pamela Means began the show with a short set of soft-spoken, dark songs. Her hair, a square mass of dreads, sat on top of her head like an underground crown. After her, with far less hair, the Charles River Valley boys played a set that sounded more like the Ohio River Valley than the Charles, closing with a few Beatles covers that underlined the concert's sense of retrospective solidarity...
Ellis Paul, a critical favorite, followed, but his short passionate songs lacked the youthful honesty of Means or the twangy wisdom of the Charles River Valley Boys. The Silver Leaf Gospel choir took the show to intermission in overalls with an African fabric swatch reminiscent of a cummerbund under black suit coats. Their singing, deeper than Widener and friendlier too, inclusive of both Jesus and the "I just might take a nip" phenomenon, was authentically folk, seemingly grown on a stalk independent of any folk revivals or Newport festivals...