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...colors were at least well chosen by the founding curators. (Who would rally around a flag of, say, beige, green and yellow?) From time immemorial and in almost every culture, red has stood for valor and sacrifice, white for virtue and unity, blue for truth and freedom. They are ambivalent, of course. Universally, red is the color both of cardinals and prostitutes, anarchists and patriots; white, of surrender, blue of melancholy. In the U.S. particularly, red can also connote financial trouble (as in ink), blue moody music (as in jazz) and white racism (as in honky...

Author: /time Magazine | Title: Modern Living: Hooray for that Old RWB | 7/5/1976 | See Source »

...semi-suicide. She wonders, in rapt preoccupation, whether he is sitting, or standing, or riding his horse. When he orders his fleet to turn and follow her deserting ships in the sea battle that destroys his fortunes against Octavius Caesar, it is not that he has totally lost valor, but that being anywhere but with her is the severest loss he can contemplate. When her eyes water in remorse, he chides her with his undaunted love: "Fall not a tear, I say; one of them rates all that is won and lost...

Author: /time Magazine | Title: The Theater: Canada's Dramatic Lodestar | 6/21/1976 | See Source »

...proudly patriotic. Such an aim, however, is difficult to square with the text and tenor of the play. Once one accepts the limitations of the director's concept, there is nothing to fault in the brio of the cast, the racehorse pace or the sense of battle-weary valor conveyed. There are different ways of showing British pluck. Dunkirk is not Agincourt...

Author: /time Magazine | Title: The Theater: Sergeant Plantagenet | 5/3/1976 | See Source »

...tell her people how she had saved them from near disaster. In the first address, she claimed to have ended, without a single casualty, an abortive four-day coup by a faction of air force officers. Then on Christmas Eve she was on the TV screen again, praising the valor of troops who had crushed a massive guerrilla attack on the outskirts of Buenos Aires, and giving the impression that she had the country well in hand...

Author: /time Magazine | Title: ARGENTINA: Hanging from the Cliff | 1/5/1976 | See Source »

Laurence Olivier invaded the 20th century stage and film with his puissance and his presence. After several ravaging illnesses, he bears only the slightest resemblance to the romantic lover of Wuthering Heights or the agile hero-king, Henry V. Today, the valor resides in the man himself and his will to endure. With gracious apologies, Sir Laurence, 68, does not rise from the sofa on which he reclines, but he still speaks in that unique, resonant voice that every other actor fears to imitate. Last week TIME Theater Critic T.E. Kalem interviewed Olivier in Hollywood, where he is playing...

Author: /time Magazine | Title: The Theater: Lord of Craft and Valor | 12/29/1975 | See Source »

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