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When Susan Traherne (Kate Nelligan) was 17, she served as a courier with the French Resistance. It struck a harmonic chord of valor that haunts her during the rest of her frustrating life. In flashbacks and flashforwards, Plenty ranges from World War II through the '50s and '60s. Back in London, Susan blurs into the social canvas, drifting in and out of jobs, romances, causes, too self-indulgent and too undisciplined to harness her energies to her high self-expectations...

Author: /time Magazine | Title: Theater: Lost Valor | 11/1/1982 | See Source »

...abundant talent saves the day. His sense of musical style rivals his ear for dry martini English witticisms as he enlivens the Sullivan-style score with occasional jazzy solos and melodramatic Latin rhythms. One of the best songs. "The Buck Stops Here," plays off the kind of Honour, Valor, and Cheerful Alacrity of plucky young Englishmen that Chariots of Fire took so seriously. Best of all, the score leaves us with a catchy tune to hum as we leave the theater--"Say Goodbye...

Author: By Susan R. Mollal, | Title: Whodunit | 10/27/1982 | See Source »

...Australians, it is not the historical inaccuracy that counts (he was probably felled by a Canadian R.A.F. pilot) but the fact that his death touches no nerve. That is not John Vickery's fault, for he and the rest of the cast perform feats of acting valor with a script that goes AWOL from the curtain's rise...

Author: /time Magazine | Title: Theater: Slain Dragon | 8/9/1982 | See Source »

...Chaos abounds as it is. Scotland and Wales are in rebellion, and the noble families who helped Henry to overthrow Richard II are now conspiring to overthrow him. Paradoxically, the King admires one of those conspirators, Harry Percy (Timothy Dalton), known as Hotspur. He so cherishes Hotspur's valor that he wishes...

Author: /time Magazine | Title: Theater: The R.S.C. Debuts in a New Home | 6/21/1982 | See Source »

What the play owes to its two leading actors is incalculable. Rogers' Sir is a white-maned lion who roars formidably against his self-sought fate. He is a ham to his hocks, but he serves Shakespeare with feudal valor ("We've done it, Will, we've done it"). As for Courtenay's Norman, as his voice echoes sepulchers and his hands etch the air with images of touching vulnerability, he opens the book of acting to a previously uncut page. -By T.E. Kalem

Author: /time Magazine | Title: Theater: Passion's Cue | 11/23/1981 | See Source »

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