Word: vamping
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Dates: during 1960-1969
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Giving his customary plywood performance, Stack proves impervious to beatings, as well as to the entreaties of a bevy of stacked courtesans who try to vamp him out of the secret. His taste, it turns out, is strictly Occidental, and when he shares the discovery with Elke she flashes her smile and her decolletage and helps him uncover the loot. To no avail: the riches finally go into the Red when Mao's minions gun down the princess and the racketeer and force the inspector back to the West...
Several scenes in Georgy Girl have no point at all, but seem thrown in to keep up the banal gaiety and give the scriptwriters a chance to show off their whimsey. For no reason that can be fathomed from the plot, Georgy does a torrid parody of a vamp, swinging down a staircase and singing Mae West style. Equally irrelevant is a remark her father makes in another scene; he doesn't "know to what this world is coming...
...flop. Her reign lasted only ten years; then she converted to Roman Catholicism, abdicated, moved to Rome, and became a national embarrassment. As a historical personage, she inspired more fiction than fact with her bizarre ways. Greta Garbo played her on the screen in 1934 as a vamp who went disguised as a man, washed her face with snow, and proclaimed that she expected to die "not an old maid but a bachelor...
Lord Love A Duck is a murky black satire about a teen-age dropout whose every wish comes true. Except for Tuesday Weld's Saturday-night zest, the audience's wishes are unfulfilled. Roddy McDowall, as a teen genie, enables Tuesday to vamp her high school principal, cavort seductively with her father, bury her mother, marry too soon, dispose of her young husband and become a beachnik movie star. All the nonsense strives to spoof the ethos of American youth, but the film's real message-which obviously appeals to Producer-Director-Writer George Axelrod-is delivered...
...associates with the tragedy of Oedipus. But as a concert piece it doesn't quite make it. It has its moments: an exciting crescendo in the first section, or the sometimes startling rhythmic attacks by the strings. Generally, however, it is disappointing. A few times the strings start a vamp that in most modern composers would lead to a moving buildup. But here the woodwinds sneak in a few insipid, undefined attempts, and then everything collapses. Given such uninspired--but difficult--music, the orchestra seemed to perform well, although Yannatos's uncharacteristically active conducting revealed that they were a little...