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Word: van (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Fight for Peace (Warwick). When first issued for a short run in 1938, this brutal, literal, newsrealistic record of the war-torn peacetime between World Wars I and II looked like 63 minutes of unnecessary nightmare. Scripter Hendrik Willem van Loon, having cleverly piled up the horrors of four revolutions and four wars, rammed home his main point -that war is beastly-with more armless, legless, headless corpses than had ever appeared on a screen before. The mechanical, impersonal accuracy of lens and film was sickening. Though critics praised the picture, audiences stayed away. But for fascinated fans...

Author: /time Magazine | Title: Cinema: Revival: Oct. 9, 1939 | 10/9/1939 | See Source »

...succeed Northern Pacific's late Charles Donnelly is the job of big (225 Ibs.), reserved, ironhanded Charles Eugene Denney (59), taken from the presidency of the bankrupt Erie. It was the late, smart Railroader John J. Bernet (chief operating officer for the Van Sweringen railroad empire) who first saw that Charlie Denney had something. Son of a master watchmaker, Charlie Denney moved from newsboy to Penn State to Union Switch & Signal Co., through a multitude of railroad jobs to general manager of the Nickel Plate. Then Bernet took him to Erie, left him there as president when he went...

Author: /time Magazine | Title: CARRIERS: 1037 & 1030 | 10/9/1939 | See Source »

Most Britishers think of art as a way to have their pictures taken. Portraitists have flourished in England ever since the Ger man Holbein, the Flemish Van Dyck came to make their everlasting fame & fortune at the British court. For 200 years Eng land has painted most of its own portraits, in good times even manages to export a surplus crop. Such British painters as Augustus John, Simon Elwes, Frank O. Salisbury, the late Anglicized Philip de Laszló have reaped a golden harvest from U. S. tycoons and socialites anxious to show a good face to posterity...

Author: /time Magazine | Title: Art: Portraitist | 10/9/1939 | See Source »

...plays of Shakespeare had not been easy to write," says Mark Van Doren, "they would have been impossible. . . . The great and central virtue of Shakespeare was not achieved by taking thought, for thought cannot create a world." Having thus dismissed the academic worry about "problems" he goes on to dismiss the word "Elizabethan," never uses either word again. In 34 brief chapters (average length: 10 pages) he describes with citations, line by telling line, the world of imagination created in each of the plays...

Author: /time Magazine | Title: Books: Play Worlds | 10/2/1939 | See Source »

...rhymes . . . rattle like bleached bones." But The Merchant of Venice, in which money and love go hand in hand and uncorrupted, is a "gentlemen's world," inhabited by "creatures whose only function is to sound in their lives the clear depths of human grace." In Henry IV, however, Van Doren considers that Shakespeare came to mastery by discovering that poetry can be better than beautiful; Hotspur, who hates poetry, is a fine poet "out of a hot love far nothing except reality and hard sense...

Author: /time Magazine | Title: Books: Play Worlds | 10/2/1939 | See Source »

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