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Some of the winners: Stanley Vanderbeek, 32, is a tireless man with scissors. He cuts pictures out of magazines-all kinds of magazines-and stirs them into film clips in a kind of stiff puppet action that writes a curious chapter in the manual of animation. In Skulduggery, Harry Truman comes popping out of the mouth of a sumptuous girl; then a hammer comes out of her nose and knocks Harry back between her chops. Breath-Death shows Harpo Marx playing his harp on the edge of a smoking battlefield. Khrushchev appears, sneezes, and Hitler pops up and says Gesundheit...

Author: /time Magazine | Title: Cinema: In the Year of Our Ford | 4/3/1964 | See Source »

...Vanderbeek showed Ford three of his five-to-ten-minute "Visible Fill'ms"-each no doubt having some subtle message that anyone with millions to give away would instantly grasp. In A La Mode, for example, a girl carries her breasts on a tray with miscellaneous fruits. An automobile drives up hill and down dale across a pair of giant breasts. A woman's face comes off, revealing an opera .house inside her head. A bird comes out of a pore in her back...

Author: /time Magazine | Title: Cinema: In the Year of Our Ford | 4/3/1964 | See Source »

...Vanderbeek, a New Yorker now heading upstate, is about to move his wife and two children into a house he is making out of old water tanks. "I think the film's only hope is experimental cinema," he says. "The whole commercial cinema of neoreality is fundamentally pornographic and does not contribute to one's soul. It is not sensitive. The cinema needs people of private vision. We are living in an avalanche of entertainment fallout, and how does one survive when bombarded by clumsy ideas? The film should be in the hands of poets rather than just...

Author: /time Magazine | Title: Cinema: In the Year of Our Ford | 4/3/1964 | See Source »

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