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Word: vanessa (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

GEORGY GIRL. In an ordinary British comedy, Lynn Redgrave (daughter of Sir Michael, sister of Vanessa) displays extraordinary zest as an overweight, forlorn young creature who dreams only of romance and motherhood. Instead, she finds the path to matrimony an obstacle course of tragicomic misadventures, middle-aged satyrs, and a modish menage a trois...

Author: /time Magazine | Title: Television: Nov. 11, 1966 | 11/11/1966 | See Source »

GEORGY GIRL. The rags-to-riches story of a butler's dumpy daughter is like a thousand eccentric English comedies, but it boasts one sterling asset in Georgy herself, played with vibrant good humor by 23-year-old Lynn Redgrave, daughter of Sir Michael and sister of Vanessa...

Author: /time Magazine | Title: Television: Nov. 4, 1966 | 11/4/1966 | See Source »

GEORGY GIRL. The rags-to-riches story of a butler's dumpy daughter is like a thousand eccentric English comedies, but it boasts one sterling asset in Georgy herself, played with vibrant good humor by 23-year-old Lynn Redgrave, daughter of Sir Michael and sister of Vanessa...

Author: /time Magazine | Title: Time Listings: Oct. 28, 1966 | 10/28/1966 | See Source »

This eccentric English comedy, all tea-cozy quirks and idiosyncrasy like a thousand others, boasts one sterling asset in Georgy herself, played by 23-year-old Lynn Redgrave, daughter of Sir Michael and sister of Vanessa. Tackling a made-to-measure role, Actress Redgrave shows that she has inherited a fair share of the family talent along with the lack-looks of a backstairs maid. As Georgy she is dumpy, vaguely prognathous, warm and plain as a suet pudding. Her figure is so nondescript that she paws through heaps of female finery with the defeatist air of a girl attempting...

Author: /time Magazine | Title: Cinema: Grounded Bird | 10/21/1966 | See Source »

...House. In the area of repertory, Bing's record at the old Met speaks for itself: 50 new productions, three U.S. premieres (Stravinsky's The Rake's Progress, Strauss's Arabella, Menotti's The Last Savage), and one world premiere (Barber's Vanessa). His own taste favors Italian opera; he is only lukewarm about Wagner and, with a few exceptions, indifferent to modern. Compared with Milan's La Scala or West Berlin's opera, whose repertories are laced with contemporary works, the Met, as one critic puts it, "remains a coach...

Author: /time Magazine | Title: Opera: Lord of the Manor | 9/23/1966 | See Source »

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