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Camelot--An overblown adaptation of the Lerner & Lowe musical, with Richard Harris and Vanessa Redgrave. But swell music. At the FRESH POND in Fresh Pond, Cambridge...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 11/15/1968 | See Source »

Camelot--An overblown adaptation of the Lerner & Lowe musical, with Richard Harris and Vanessa Redgrave. But swell music. At the FRESH POND in Fresh Pond, Cambridge...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 11/8/1968 | See Source »

...they the only cinematic debris. For no good reason, The Charge of the Light Brigade includes a disconnected, listless affair between an officer (David Hemmings) and his best friend's wife (Vanessa Redgrave). Scenarist Charles Wood (How I Won the War) overloads the script with totally unsubtle pacifist propaganda. "It will be a sad day," intones Lord Raglan, Britain's supreme commander in Crimea, "when England has officers who know what they're doing . . . it smacks of murder...

Author: /time Magazine | Title: Cinema: The Reason Why | 10/11/1968 | See Source »

...actor father. Pamela carps about everything from Americans to taxes to pop art, saving her choicest vitriol for a rival actress she calls "Lady Tinker-Bell" and whom she dismisses as "that blowtorch Mary Pickford." (Played by Kika Markham, she looks more like a striking diminutive version of Vanessa Redgrave.) The role of Pamela is demanding and singularly graceless, but Jill Bennett (the offstage Mrs. Osborne) is singularly graceful, grave, bruised, disenchanted...

Author: /time Magazine | Title: Theater: LONDON STAGE: FOSSILS AND FERMENT | 8/9/1968 | See Source »

...crumbling 18th century villa in the dusky hills near Padua, Italy, where Vanessa Redgrave, 31, showed up last month to film her new ghost-chiller A Quiet Place in the Country, was far from quiet. In fact, there seemed to be more shades underfoot than on the windows, which mysteriously slammed shut while chairs rattled unaided across floors, drawers floated out of place, and cameras smashed inexplicably. Director Elio Petri swore he bumped into-or through-a long-deceased ancestor of the villa's owner on the staircase one night. All those unnerving incidents soon had the stagehands muttering...

Author: /time Magazine | Title: People: Jun. 14, 1968 | 6/14/1968 | See Source »

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