Word: vanilli
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Here's an idea: give the withdrawn Grammy to Arsenio Hall. He started all this. "We were tired of being made fun of by Arsenio Hall," said Rob Pilatus, 25, at a rowdy press conference in Los Angeles last week. Pilatus, one half of Milli Vanilli, was struggling to explain how the duo's yearnings for legitimacy had provoked their German record producer, Frank Farian, into confirming what had long been show-biz rumor: that Pilatus and Fab Morvan, 25, were in fact techno-puppets, fronts for a studio-manufactured sound that sold 10 million copies of the album Girl...
WTIC-FM in Hartford, Conn., played "Blame it on Hussein" to the tune of Milli Vanilli's "Blame it on the Rain...
...Milli Vanilli. Madonna. Paula Abdul. You can't be a pop star these days if you don't dance. And what keeps you on your toes isn't just a choreographer and a trainer; it's the sheer momentum from all the money out there to be made, not by performing but by succeeding. Success can't be separated from impact anymore. Marketing and merchandising are integral parts of the pop machine, just as a movie's box-office receipts become part of its cachet. Show business is the latest American spectator sport, and the number of weeks a tune...
...Milli Vanilli has so far survived the hilarious barbs of Arsenio Hall, + almost unanimous critical disdain and its own supercilious egotism to score a total of five Top Five singles. Even the hotly debated rumor that they don't do their own singing in live performance doesn't diminish their commercial luster. "If I'd heard the first Milli Vanilli record, I would have signed them," says Geffen Records president Ed Rosenblatt. Notes Jeff Gold, a vice president at Warner Bros. Records: "They may not be what I listen to when I go home, but they have good looks...
Like Madonna and Milli Vanilli, like Paula Abdul and, yes, even like Bart Simpson, the New Kids are a phenomenon whose unapologetic commerciality is part of their appeal. They are good movers and slick singers, and they drive their mostly preteen female fans into genteel frenzies. But their success can't be separated from their impact; it's part of the pop machine's new mystique. Is it real, or is it marketing...