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Several firms were paid for investment management services. Grantham, Mayo & Van Otterloo received $25.8 million, while Charlesbank Capital Partners LLC was paid $18.1 million...

Author: By Nicholas M. Ciarelli, CRIMSON STAFF WRITER | Title: Harvard Officer Salaries Rise | 5/18/2005 | See Source »

...Another lunch at the four-star Eden Roc in Cap d'Antibes. We were restricted to the buffet; are we not worthy to order off the menu? Had to get there by van, when a helicopter would have saved so much time. We hate going to these dinner parties, but not to do so would break the journalists first rule at Cannes: never pay for your own meal...

Author: /time Magazine | Title: Cannes Diary V: Blog blog blog | 5/15/2005 | See Source »

...Like Van Sant's Elephant, which traded off the Columbine shootings, Last Days is a pot of post-narrative sludge that hopes to attract an audience by alluding to a gruesome event, and turn a celebrity tragedy into an art film. "Although this film is inspired by the last days of Kurt Cobain," Van Sant and his lawyers declare, "it is a work of fiction and the characters and events portrayed are also fictional." In other words, we're not paying anybody...

Author: /time Magazine | Title: Cannes Diary III: Grave Robbing | 5/13/2005 | See Source »

...junkie whose monologues are often incomprehensible; we got a hint of their meaning only by reading the French subtitles. He trudges through the woods, swats imagined flies, collapses against doors. One exasperated woman asks him, "Do you say, 'I'm sorry that I'm a rock-and-roll cliche'?" Van Sant and Pitt aren't sorry. They embrace the standard version of the pop star as lost boy, doomed poet; Blake is a rock Rimbaud. At the end he dies (as he is obliged to do) and ascends the wall of his room into rock-and-roll heaven - which makes...

Author: /time Magazine | Title: Cannes Diary III: Grave Robbing | 5/13/2005 | See Source »

...Greater intellects than mine - say, the Village Voice's Jim Hoberman, an articulate champion of Van Sant's recent work - will make a case for this movie. But it's a mystery to me how following a young man as he mutters and meanders, or waiting for him to trudge up to and past the camera, advances movie art. This isn't the art of telling a story through picture; it's loitering with intent...

Author: /time Magazine | Title: Cannes Diary III: Grave Robbing | 5/13/2005 | See Source »

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