Word: vapid
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...admittedly, uplifts—both volumes of Kill Bill. And certainly Quentin Tarantino has created a mildly epic tribute to his favored genre. But Vol. 2 makes a compelling case for a more serious interpretation of Tarantino’s talent, and the film justifies the otherwise vapid (and very cool) Vol. 1, which should never have existed as a separate film. Indeed, Tarantino’s lip fetish is itself enough to empower Vol. 2 with far more powerful scenes than Vol. 1: when a tied-up Beatrix must wrap her lips around a flashlight, the degrading image...
...brand. The new Pulitzer slogan “Life. Lilly. And the Pursuit of Happiness” has pushed forward the All-American positioning of venerable designers like Ralph Lauren by adding a new dimension that is fun, light-hearted and, most importantly, accessible. Lilly’s vapid elitism is obscured by the colorfulness of her patterns and apparent happiness of the tanned trophy wives who buy her designs in matching mother-daughter sets. The innovative open-door lifestyle policy goes for her entertaining too, as Lilly says that everyone is welcome at her house. It is a place...
...report’s vapid section on “Harvard College Courses” (it’s telling that they couldn’t even come up with a name), the proposed pseudo-replacement for the Core, reads like a bad handbook for elementary school teachers: “A Harvard College Course on world histories might be built around ‘cultures and contacts,’ introducing students to significant moments, from multiple centuries and continents, in which civilizations interacted in cooperative or competitive ways; it might introduce students to episodes of international trade...
...makes a compelling case for a more serious interpretation of Tarantino’s talent, and the film justifies the otherwise vapid (and very cool) Vol. 1, which should never have existed as a separate film. The commercial logistics of a four-hour movie aside, Kill Bill would have worked best as a single entity, the second half imbuing the first with a certain weight. Indeed, Tarantino’s lip fetish is itself enough to empower Vol. 2 with far more powerful scenes than Vol. 1: when a tied-up Beatrix must wrap her lips around a flashlight...
...while Blair purports to set his narrative in the larger framework of the black experience, as a work of African-American studies, his memoir is largely vapid. Most incredulously, he refers incorrectly to Ralph Ellison’s Invisible Man three times, adding an article to the title and therefore inadvertently—and inexcusably—alluding to H.G. Wells’ The Invisible...