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...comic promise and beginning of a vapid farce of mistaken-identity crises. Morse's co-star is Doris Day, playing a pulpy, gulpy Broadway actress named Margaret Garrison, whose bed he blunders into by mistake. To disarm audiences-and possibly critics-she sometimes refers to herself as the Constant Virgin, a sobriquet Doris has actually earned in half a dozen previous films, pursued by the likes of Gary Grant and Rock Hudson but remaining a freckle-faced iron maiden to the fadeout. In this picture, she is equipped with a husband (Patrick O'Neal), but by pouting continually...

Author: /time Magazine | Title: Cinema: Where Were You When The Lights Went Out? | 8/9/1968 | See Source »

...black animosity can breed an antidote to its own racial poison. In Chicago, where the white community dismissed Martin Luther King's 1966 civil rights crusade with a hatful of vapid promises, black pocketbook power has become an effective, constructive force. In less than two years, the Rev. Jesse Jackson, 26, a burly, apothegmatizing King lieutenant who praises the Lord and believes in the might of economics, has wrested work from ghetto businessmen for 3,000 of his flock and boosted South Side Negroes' annual income by $22 million...

Author: /time Magazine | Title: Nation: Black Pocketbook Power | 3/1/1968 | See Source »

Based on a vapid H. G. Wells story, Half a Sixpence was a modest triumph as a Broadway musical-short on substance but long on charm. On screen it is just long...

Author: /time Magazine | Title: Cinema: Half a Sixpence | 3/1/1968 | See Source »

...churned to a fine froth by Conductor Nicola Rescigno, skipped along with the sauce and savoir-faire of a boulevardier on the Champs Elysées. Effective as the singing was-notably Frank Porretta's mugging Orpheus, Jack Bittner's crafty Jupiter and Jeanette Scovotti's vapid Eurydice-it was almost overshadowed by Zachary Solov's spirited, stylish choreography, brilliantly danced by New York City Ballet Stars Melissa Hayden and Jacques D'Amboise. With the help of Jack G. O'Brien's updated English libretto, the buffoonery as well as the bite struck...

Author: /time Magazine | Title: Festivals: Camping on Olympus | 6/9/1967 | See Source »

...Minow complained about in 1961 is still parched; a Roper Research study found that 18% of TV viewers agreed with Minow in 1963, and 29% are with him today. Television journalism and sports coverage are getting better, and even commercials are improving; but regularly scheduled programs are still as vapid as ever. Mindless game shows and cheery-teary soapers dominate daytime television. Prime-time TV (7:30-11 p.m.) is hardly more satisfactory. The top-rated Nielsen shows for 1966-67 are either tired adventure series such as Bonanza and Dragnet or low-IQ sitch-coms on the order...

Author: /time Magazine | Title: Television: Midnight Idol | 5/19/1967 | See Source »

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