Word: vapidly
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...Tell Me Nothing.” PB&J followed up the success of “Young Folks” with a couple pleasant but unmemorable diversions: an album of instrumentals called “Seaside Rock” and frontman Peter Morén’s surprisingly vapid solo debut “The Last Tycoon.” In January, the band’s return-to-form was announced by none other than Kanye, who introduced the first single from PB&J’s fifth studio album, “Living Thing...
...with me,” but Joon refuses. Joon’s transient lifestyle provides a colorful cast of characters that distinguish different portions of her life. Unfortunately, Mun’s characteristic lack of subtlety seeps into these portrayals as well, and the characters are painted in broad, vapid strokes. Though Joon painfully recalls being taunted with racial slurs as a child, she views her multiracial peers through an equally skewed lens—in which lisping Puerto Rican call girls offer advice on oral sex and superstitious Chinese women throw knives at enemies. When racial stereotypes aren?...
...screen, with the release of a film version of his first novel, Revolutionary Road, pairing Leonardo DiCaprio and Kate Winslet in their first cinematic get-together since Titanic. The novel chronicles the painful disintegration of the marriage of Frank and April Wheeler, a seemingly model couple in vapid 1950s suburbia. The film, which faithfully captures that pain, promptly sank at the box office - grossing just $21 million so far - despite the fact that Winslet won a Golden Globe as Best Actress for her tortured role. (See pictures of Kate Winslet's 10 best roles...
...dance beats. Such glamorization of violence can be dangerous; don’t let Chris Brown see this video. The images on the video are objectively passionate and tempestuous, but no similar feeling is communicated through the music. The beat is infectious but not irresistible, the images glamorous but vapid. Ciara’s strong voice almost makes up for Enrique’s ubiquitous posturing. Together they are a satisfactory pop duet. —Catherine A. Morris
...expected when she got up. Her voice rarely rises above the conversational and never sounds labored; nothing she sings feels like a statement, which is why you're surprised when the lyrics add up to something smart. "The Fear," already a hit in Britain, is a hummable single about vapid consumerism ("I want to be rich and I want lots of money/ I don't care about clever I don't care about funny") that honors both "Lost in the Supermarket" and "Material Girl." "Not Fair" laments that her otherwise excellent boyfriend is lousy in bed ("I look into your...