Word: various
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Dates: during 1990-1999
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...such criticisms is that the game has the potential to remain harmless and fun if only those playing could take it less seriously. True enough, yet the game is specifically designed to be both intense and prolonged. Rather than having one big barbecue which features a shoot-out or various games, Quincy House assassin typically lasts between two and three weeks during one of the most important academic times of the semester, leading up to Spring exams. Furthermore, the assassin council website lists hitmen who spend whole days of their final semester at Harvard roaming around the house to hunt...
...characterization of Open Gate made it seem like the organization is doing something questionable. Its intention is to provide resources to gay students and student organizations. They have a rigorous grant application process, a limited but relatively large budget and a committee made up of distinguished faculty and various alumni. Their support is essential to the continued success of the BGLTSA, especially on a campus that offers little in the way of student funding. The group exists in order to assure that queer students will not be silenced, as we have been in the past...
...right. First, begin with the pretentious, overly intellectual premise: the OTC set out to create an audible representation of dreams within music that pulses "with the rhythms of modern life." Next, toss in some unnecessarily complex musical tampering: a bass line from one original song is altered for various other songs whose remaining components are then manipulated and layered on top of other tracks. The results: a melodic game of musical chairs with incestuous rhythms scattered across the album's 27 tracks. Ranging from spacey ambient musings to Bowie-damaged indie pop, it all manages to work. Each listen reveals...
...stage for the entirety of Pink Floyd's Dark Side of the Moon. Using the choreography of Babil Gardera, the principal choreographer of the South Texas Dance Theater, Harvard dancers turned the Loeb Mainstage into a swirling, swarming arena of motion and light. Clad in bodysuits of various neon and tie-dyed colors, the dancers marched in perfect unison onto the stage in the opening number, "Speak to Me," like drones from a futuristic world where money clangs and clammers in everyone's gigantic communal ear. The safety of conformity and seduction of rebellion, themes prominent in Pink Floyd...
...stage for the entirety of Pink Floyd's Dark Side of the Moon. Using the choreography of Babil Gandara, the principal choreographer of the South Texas Dance Theater, Harvard dancers turned the Loeb Mainstage into a swirling, swarming arena of motion and light. Clad in bodysuits of various neon and tie-dyed colors, the dancers marched in perfect unison onto the stage in the opening number, "Speak to Me," like drones from a futuristic world where money clangs and clammers in everyone's gigantic communal ear. The safety of conformity and seduction of rebellion, themes prominent in Pink Floyd...