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...review committee—a group of officials from peer institutions that is led by Georgetown President John J. DeGioia—spent a year examining various aspects of the University and interviewing faculty, staff, and students...

Author: By Noah S. Rayman and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: Faust Delivers a Welcome in Latin | 4/7/2010 | See Source »

With an obligation to address this concern in mind, Knep has been inviting local artists on a monthly basis to come discuss their work with the various scientists, chemists, and engineers on the medical school campus. By organizing these talks, Knep says he hopes to encourage the explorative and imaginative nature of science that is often subdued by the demands of hard data, precision, and controlled objectivity...

Author: By Lauren B. Paul, CONTRIBUTING WRITER | Title: Knep Links Science and Art | 4/6/2010 | See Source »

...calendar,”—with its 260 squares representing the 260 non-holiday and non-weekend days of the year—is not organized in a way comparable to any other calendar. Both of Lehyt’s pieces could be interpreted in various ways. In contrast, Ortiz’s show is blithe with song and dance and, at its core, inclusive—both of its audience and of the breadth of society the play encapsulates...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

...steelworker’s powerful monologue is the first of many in “Working: The Musical,” written by Stephen Schwartz—the composer of “Wicked” and “Godspell”—and various other artists...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Musical Celebrates 'Working' Class | 4/6/2010 | See Source »

...score accompanying the various climatic scenes—Ida and Benito’s first love scene, for instance—works marvelously to accent the frightening and sinister aura that surrounds their relationship. The combination of shrill flute lines and harsh stringed instruments in serious scenes like the opening town forum provide an eerie accompaniment to Mussolini’s austerity, a creepiness that accurately complements Mussolini’s bloody thirst for power...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Vincere | 4/6/2010 | See Source »

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