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Word: varnished (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...well as ideas Aronson turns to the past. "In a sense, I'd have been at home if I'd lived 600 years ago," he says. He is the U.S.'s foremost master of the ancient and dangerous medium of encaustic, a blend of wax, resin, varnish and oil fused together by heat. His paintings always burst into flame. Says he: "It's like working on a hot griddle, scrambling eggs." The result is a warm, waxy panel more durable and more translucent than oils...

Author: /time Magazine | Title: Art: Coats of Many Colors | 11/22/1963 | See Source »

...varnish has also grown yellow on Langaon Mitchell's dialogue, which while occasionally clever and biting, cannot quite explain away all the foolishness of the plot. Practically every line is an epigram or pun of sorts ("Our marriage was a wager," "The grace before the soup is not as good as the dinner," "marry-go-round"), and this, too, is hard to sustain for three hours...

Author: By Joseph M. Russin, | Title: "The New York Idea" Opens at Loeb | 7/5/1963 | See Source »

...luxurious midtown apartments and in one-room shacks on the city's swampy outskirts. Sometimes the booze is genuine Scotch sneaked ashore from visiting freighters; more often it is a strange local concoction with a name like Jungle Flower, which has been distilled from such ingredients as varnish, kerosene, gasoline or rotting bananas...

Author: /time Magazine | Title: India: How Dry I Am | 1/11/1963 | See Source »

...chain of office but his palace as well. Since then, time has not always been kind to it. The small room known as Wolsey's closet was especially hard hit by history. Its ceiling was caked with grime; the paintings were so blistered, peeled and blackened with varnish that they were hardly worth looking at. It took restorers 18 months to complete their work...

Author: /time Magazine | Title: Art: Tantalizing Glimpse | 7/13/1962 | See Source »

...product, which is called black oil and looks like axle grease, in old mayonnaise jars. When he is ready to paint, he mixes each pigment he is using with black oil on the palette. Then in a palette cup he stirs up another mixture of (one teaspoon each) mastic varnish and black oil, and a few drops of stand oil and Venice turpentine. At work, he dips his brush first into the mixture in the palette cup and then into the mixture on the palette. Why all this trouble? Safran finds this medium more versatile and easier to work with...

Author: /time Magazine | Title: A Letter From The Publisher: Nov. 17, 1961 | 11/17/1961 | See Source »

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