Word: vartikar
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...Adam B. Vartikar will marry you for your money...
...cast and crew dare to tamper with the sacred texts of Shakespeare. “Hamlet is this worshipped thing. A lot of Shakespeare’s works are. It’s really quite sad, I think,” says director Jason R. Vartikar ’11. “The Tragedy of Hamlet”—not to be confused with the more traditional version being staged this weekend in Leverett House’s Old Library—will show in the New College Theatre through Sunday, and it makes significant changes...
...shock, and horror. Dr. Sugar’s look pretty much encapsulates the Harvard-Radcliffe Dramatic Club’s production of Tennessee Williams’s “Suddenly Last Summer,” which will run in the Loeb Ex through Nov. 15. Director Jason R. Vartikar-McCullough ’11 takes an already disturbing play to the extreme, bizarre realm of a comedic horror show. “Suddenly Last Summer” is not one of Williams’s most popular pieces. It is a short one-act play centered around monologues from...
...Jason R. Vartikar-McCullough ’11 is not just a triple threat. As an actor, director, playwright, painter, and costume and set designer, he’s a far more multifarious artistic entity. He started his theater career at the age of six with an appearance on “Mister Rogers’ Neighborhood,” and he was extensively involved in community and professional theater throughout high school. Despite his numerous theatrical accomplishments, Vartikar-McCullough says, “Theater was never my focus; it was always very much visual art.” It?...
...paper refuse. The experiences and histories of these two stories slowly begin to dovetail into each other until the present seems able to reach back in time to pull out the relevant curios its scholars need. This strange connection is mysteriously literalized by Gus Coverly (Jason R. Vartikar-McCullough ’11), the gifted but socially handicapped resident of the modern household who is able to converse with its past inhabitants.Given such a complex assembly of characters, time periods, and references, one of the play’s potential dangers is that a performance can easily become mired...