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There have been a handful of such dancers in this century. In his brief time (1908-17), Vaslav Nijinsky's wild genius established itself as the mythic standard against which all premiers danseurs will apparently always be judged. In the '50s and early '60s, Erik Bruhn, 46, now resident producer of the National Ballet of Canada, dominated ballet with sheer elegance. His style was pure and restrained, his partnering impeccable. If anything his reputation has increased since his retirement. He has an enormous following and will dance again this summer at A.B.T. When Rudolf Nureyev burst upon...

Author: /time Magazine | Title: BARYSHNIKOV: GOTTA DANCE | 5/19/1975 | See Source »

Died. Bronislava Nijinska, 81, grande dame of neoclassical ballet; of a heart attack; in Pacific Palisades, Calif. Though overshadowed for a time by her famous brother Vaslav Nijinsky, she built her own durable reputation as a choreographer, dance mistress and inspiration of two generations of ballet performers. While ballet in the early part of the century stressed costume and dramatic content, La Nijinska helped re-establish the importance of pure dance through her creations Les Biches and Les Noces...

Author: /time Magazine | Title: Milestones, Mar. 6, 1972 | 3/6/1972 | See Source »

...since Vaslav Nijinsky stunned audiences with his aerial virtuosity half a century ago has a male dancer so completely captivated the world of ballet. When he leaves the theater, hordes of glaze-eyed females of all ages have been known to surround his car and fall on their knees chanting "Thank you, thank you." The admiration extends backstage as well. Whenever he performs, dancers crowd the wings to watch and learn. "Watching Rudi is more than an education," explains the Royal Ballet's Alexander Grant. "He makes every step seem beautiful, possible and important...

Author: /time Magazine | Title: Dance: Man in Motion | 4/16/1965 | See Source »

Nijinsky's Complaint. No point of style or appearance was too small for his attention. His friend, famed Dancer Vaslav Nijinsky, once complained that Salzedo did not make enough show with his hand movements. A harpist's hands should be like a dancer's toes, said Nijinsky: "Of all the instrumentalists, you are the one to be looked at when you play." Salzedo formalized hand movements into a series of flowing gestures, tells his students to emphasize esthetic as well as musical qualities. Says he: "Good looks are an important requisite for an aspiring harpist...

Author: /time Magazine | Title: Music: Angels' Disciple | 9/14/1959 | See Source »

...Roughly comparable to the Ballet Russe's late great Vaslav Nijinsky, who, asked how he made his incredible floating leaps, once explained: "You have just to go up and pause there a little...

Author: /time Magazine | Title: Milestones, Nov. 1, 1954 | 11/1/1954 | See Source »

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