Word: vaslav
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...DIARY OF VASLAV NIJINSKY- Edited by Romola Nijinsky-Simon & Schuster ($2.50). Last intelligible words of the great dancer, written in the year before his commitment to the insane asylum, making a grisly study which occasional overtones of schizophrenic humor do not relieve...
...every one of the United States, was the Monte Carlo Ballet Russe. For the first time in the U. S. the Monte Carlo dancers presented the great shocker of the great Diaghilev era: L'Après-midi d'un faune, designed and danced by Vaslav Nijinsky not long before he became so addlebrained that he was interned in a Swiss sanatorium. Last week handsome David Lichine impersonated the spotted faun, gyrating insidiously, blatantly suggesting, as did his predecessor, the throes of sexual desire, the moment of satisfaction. At the erotic conclusion one shocked lady in the audience...
...Sergei Diaghilev promptly commissioned him to write for the Russian Ballet. Fame came quickly with The Firebird (1910), Petrouchka (1911) and Le Sacre du Printemps (1913) which caused such a furor at the Paris premiere that the dancers, unable to hear the music, followed the beat of the frenzied Vaslav Nijinsky, shouting to them from the wings while Stravinsky kept a tight grip on the dancer's coat collar. Of Nijinsky, now interned in a Swiss insane asylum, Stravinsky writes: "He spoke little, and, when he did speak, gave the impression of being a very backward youth whose intelligence...
Shut away in a Swiss sanatorium is the man the world once knew as the greatest of dancers. For months at a time he speaks no word. He still hears the echo of War guns. His dead, dumb eyes see soldiers dying around him. Sixteen years have passed since Vaslav Nijinsky danced in the U. S. But this winter the re-enact- ment of many of Nijinsky's great roles by the Monte Carlo Ballet Russe has aroused fresh talk of his genius (TIME, Jan. i). Next week will be published the story of Nijinsky's life, written...
...When Vaslav Nijinsky's brain cracked so that he could no longer recognize people or places, his friends had the idea of taking him once more to see the Diaghilev Ballet which he had helped to make the world's greatest dancing corps. Only once during the performance did Nijinsky appear to see through the fog. Serge Lifar, a young protégé of Diaghilev, started to dance Le Spectre de la Rose in which Nijinsky did his never-to-be-forgotten leap through an open window. When the music started Nijinsky's dead, dumb eyes...