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...such a great impact and lasting legacy on a group of artists. Nevertheless, Moore comes out from under Ruskin’s shadow as the star of the show. His determination to represent the world realistically and the equal sensibility with which he treats a vast landscape and a tiny flower shoot make him the ultimate Ruskinian. Aside from “Peacock Feather,” his small landscapes—“Venetian Doorway” (1877), “San Barnaba, Venice” (c. 1876-77), and “Winter Landscape, Valley...

Author: By Victoria D. Sung, CONTRIBUTING WRITER | Title: Fogg Dips Into Ruskinian Watercolor Era | 4/13/2007 | See Source »

...seen in the fragmented forms, but his return to representative art is impossible to miss. Léger depicts the world by assembling basic shapes and bold colors into paintings that emphasize smooth, natural forms. This exhibit illustrates the stylistic permutations of a great modern painter without assuming vast knowledge of 20th century art. In capitalizing on an opportunity to showcase the trajectory of Léger’s career, the Fogg has assembled a collection that speaks for itself...

Author: By Eric M. Sefton, CONTRIBUTING WRITER | Title: Post-Cubist Léger on Display | 4/13/2007 | See Source »

...reality, there's no such rise. The vast majority of Japanese remain knee-jerk pacifists, and you'd have a difficult time finding anyone among Japan's disaffected youth willing to die for much of anything, much less for the emperor. But the past still matters. It would be right - to Japan's wartime victims and to Japan itself - to have a memorial that honors the war dead without honoring the ideology that cost them their lives. As peaceful a square as any you might find in Tokyo, Yasukuni shrine could be that place, but only with a radically different...

Author: /time Magazine | Title: The Last Refuge of Kamikaze Ideology | 4/12/2007 | See Source »

...major writing deals, including Marvel Entertainment’s upcoming “Iron Man,” it might seem as though Fergus and writing partner Hawk Ostby are walking a predetermined path to cinematic success. But Fergus cautions against such delusions of grandeur.“The vast majority of the forces that define our destiny are completely out of our control,” says Fergus in an in-person interview with The Crimson. His cool demeanor, whimsical digressions, and unassuming nature suggest that he truly believes in the controlling forces of destiny—for good...

Author: By James F. Collins, CONTRIBUTING WRITER | Title: A Chilling ‘Snow’ Falls | 4/6/2007 | See Source »

...believe in God? "I'm not an atheist. I don't think I can call myself a pantheist. The problem involved is too vast for our limited minds. We are in the position of a little child entering a huge library filled with books in many languages. The child knows someone must have written those books. It does not know how. It does not understand the languages in which they are written. The child dimly suspects a mysterious order in the arrangement of the books but doesn't know what it is. That, it seems to me, is the attitude...

Author: /time Magazine | Title: Einstein & Faith | 4/5/2007 | See Source »

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