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...when a Greenwich, Conn, housewife objected to his appearance in her town. Eventually Adler went back to England. Vaughan Williams wrote a piece for him; so did Darius Milhaud and Cyril Scott and Arthur Benjamin. In time, U.S. producers asked him to return. Now recording contracts are waiting along with nightclub engagements. "I'd like to alternate between the U.S. and the rest of the world," he says, but there is no doubt that recognition at home is what pleases him most. "I played part of Porgy recently," he recalls, "and a member of the cast told...

Author: /time Magazine | Title: NIGHTCLUBS: Harmonica's Return | 4/27/1959 | See Source »

...Manhattan's Carnegie Hall glared down last week on a frail little man whose cork-tipped baton at first seemed to wave in a rhythm unconnected with the New York Philharmonic's. But after a brief edginess in the opening work, he drove the Philharmonic through Ralph Vaughan Williams' bubbling Symphony No. 8 and made the music chortle, brag, sneer and guffaw with Falstaffian humor in a sheer triumph of spirit. At the end, the audience gave him as warm an ovation as has been heard in Carnegie this year. After 15 years Sir John Barbirolli...

Author: /time Magazine | Title: Music: Reunion | 1/12/1959 | See Source »

...though never really dramatic, The Family Reunion can become suddenly theatrical; its Chorus of Uncles and Aunts, although too selfconscious, can be amusing or striking; the atmosphere can quiver with menace; and the expertly managed verse is flexible as other things are rigid. Stuart Vaughan's sound staging and Norris Houghton's shapely set make for helpfully stylized effects, although a cast that includes Florence Reed, Lillian Gish and Fritz Weaver tends to act in varying styles. The cast, understandably, come off best where Eliot did-with the language...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Nov. 3, 1958 | 11/3/1958 | See Source »

...Biggs is ready to play," said an authoritative voice and everyone trooped to folding chairs facing the organ. The notes struck, proud and singing, from the compact, shiny instrument as Biggs played works by Jan Pieterszoon Sweelinck (appropriately enough), Franck, Ralph Vaughan Williams, and Bach...

Author: By Stephen C. Clapp, | Title: The Music Makers | 9/27/1958 | See Source »

Married. Sarah Vaughan, 34, supple-voiced Negro jazz singer; and Clyde Brooks Atkins, 30, owner of a fleet of taxicabs on Chicago's South Side, onetime football fullback; she for the second time, he for the first; in a City Hall ceremony, in Chicago. Witness: Trumpeter John Birks ("Dizzy") Gillespie. The bride wore a white trapeze dress and green shoes. The witness wore a brown-and-white cord suit, pink shirt, red-and-black tie, and, on his head, a diamond-patterned, black-and-white tarboosh...

Author: /time Magazine | Title: Milestones, Sep. 15, 1958 | 9/15/1958 | See Source »

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