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LOWELL HOUSE OPERA SOCIETY will present the second performance of RIDERS TO THE SEA by Ralph Vaughan Williams, an adaptation of the one-act play by J.M. Synge, Ronald C. Perera '63 and David S. Cole '63, directors. G.B.S.'s MAN OF DESTINY will appear on the same program. Dining Hall; 8:30 P.M. Tickets: $3.00, $2.25 and $1.50. At the Coop; reservations may be made by calling KI 7 - 7569. Through Sunday...

Author: NO WRITER ATTRIBUTED | Title: Calendar | 3/24/1961 | See Source »

RADCLIFFE CHORAL SOCIETY, under the direction of Eliot Forbes '40, in a repertoire concert that will include works by Brahms, Schumann, Vaughan Williams, Beveridge and Le Jeune. Paine Hall; 8:30 P.M. Tickets: $1.00; $.50 for undergraduates. At the Coop, Holden Chapel, or at the door...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON WEEKLY CALENDAR | 3/17/1961 | See Source »

LOWELL HOUSE OPERA SOCIETY will present RIDERS TO THE SEA by Ralph Vaughan Williams, an adaptation of the one-act play by J.M. Synge. Ronald C. Perera '63 and David S. Cole '63, directors. G.B.S. MAN OF DESTINY will appear on the same program. Dining Hall; 8:30 P.M. Tickets: $3.00, $2.25 and $1.50. At the Coop; reservations may be made by calling KI 7 - 7569. Through Sunday

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON WEEKLY CALENDAR | 3/17/1961 | See Source »

...production is slick, the songs are good-notably one in which Crooner Frankie Vaughan says with fervor, in effect, never mind good lyrics, "give me a song that sells"-and the plot no thinner than most. The supporting actors are expert, especially Tony Randall, who plays Montand's pressagent with an accurate blend of servility and fresh-faced eagerness. One reason why the film, although consistently pleasant, is only fitfully funny may be a plague now widespread in Hollywood movies. Milton Berle, Gene Kelly and Bing Crosby appear in brief "cameo" parts as themselves (they are supposed...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 19, 1960 | 9/19/1960 | See Source »

...Stuart Vaughan's directing usually shows a sure hand, but, to switch extremities, he makes one false step. Part One ends with an overly theatrical addition: soldiers kneel in a hollow halfcircle, facing inward with banners flying, and cheer several times: "For England and Saint George!.!" This might come off after Henry V, but Henry IV: I does not end on a note that can sustain a gesture such as Vaughan has added to the script. Except for this mistake, Vaughan's staging always enhances Shakespeare and shows his willingness to trust the plays, a welcome change from the fooling...

Author: By James A. Sharap, | Title: Henry the Fourth, I and II | 7/14/1960 | See Source »

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