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...parts of the tetralogy is external to the productions themselves--they are not preceded by Richard II and, short of a trip to Central Park for Joseph Papp's production, one cannot see Henry V after Part II. In these circumstances, it is all the more remarkable that Stuart Vaughan has achieved balanced and memorable productions of the great chronicle plays...

Author: By James A. Sharap, | Title: Henry the Fourth, I and II | 7/14/1960 | See Source »

...Lexington Choral Society, supported by the Festival Orchestra, devoted its concert, under the direction of Allen Lannom, to two major works: Vaughan Williams' Dona Nobis Pacem, and Orff's Carmina Burana. Acting on his premonition of World War II, Vaughan Williams wrote his cantata in 1936, in which he fashioned his text from a phrase of the Roman Mass, sizable excerpts from Walt Whitman (who is full of superlative choral texts), and bits from John Bright and the Bible. Composed with a knowing hand, it lacked only vitality in performance...

Author: By Caldwell Titcomb, | Title: Arts Festival Exhibits Stir Up Controversy | 7/5/1960 | See Source »

...into the house from Denver's East High School, his mother handed him two letters. He opened them coolly and said: "I've been accepted by Yale and Harvard. I think I'll go to Harvard." His calm was rare. On Long Island, N.Y., Ciba Ruth Vaughan, 18, dragged nervously home from Great Neck North Senior High School, finally faced the letter from Smith College. She was in. Burbled Ciba: "I went crazy. I must have called 80 people to break the news...

Author: /time Magazine | Title: Education: Ivy Harvest | 5/23/1960 | See Source »

...Pistol are all good, and John Heffernan's Shallow something better. The time-honored comic scenes keep their blend of rust and magic. The royal scenes, full of a rhetoric that needs a humanizing voice, fare a good deal less well. But where humor and humanity cooperate. Stuart Vaughan's staging is dynamic, and the two parts of Henry IV play a rewarding part in a largely unrewarding theatrical season...

Author: /time Magazine | Title: The Theater: Old Play Off Broadway, may 2, 1960 | 5/2/1960 | See Source »

...virtues of the Phoenix Theater's lively production is that, as staged by Stuart Vaughan, it keeps a happy balance, values its martial clang and stir, sets broadsword heroics against tankard humor, and is never for a moment a one-man show. But it is no less a virtue of the current production that Eric Berry's robustly nimble and resourceful Falstaff is by all odds the play's best-acted role. Donald Madden's Hotspur is properly dynamic too, though it substitutes mere energy for fire and dash. As Henry, Fritz Weaver makes a well...

Author: /time Magazine | Title: The Theater: Old Play Off Broadway, Mar. 14, 1960 | 3/14/1960 | See Source »

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