Search Details

Word: vaughans (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...chief novelty, though now 31 years old, was a work in which the chorus sang for half an hour without emitting a single word, Vaughan Williams' extraordinary Flos Campi. In this piece the chorus vocalizes on all kinds of vowel sounds and musically sustainable consonants. The composer was not interested in expressing ideas, but rather in evoking moods by exploiting sheer sonority and tonal colors. Occasionally there appeared such typical Vaughan Williams features as chordal parallelism; but mixed in with them were wonderful wailing appoggiaturas and, above all non-Western melodic lines that so characteristically turned back on themselves--which...

Author: By Caldwell Titcomb, | Title: Summer School Chours | 8/16/1956 | See Source »

Kirke Mechem's Rules for Behaviour (1955), with piano obbligato, bore up well on second hearing. Written in a crisp, clean Irving Fine manner, it took its text from some amusing rules for children found in a 1787 church in Williamsburg, Virginia. The concert, like the telecast, ended with Vaughan Williams' robust and lusty antiphon Let all the World in Every Corner Sing...

Author: By Caldwell Titcomb, | Title: Summer School Chours | 8/16/1956 | See Source »

...concert, which is free, will also include choruses from Acis and Galatea by Handel, Flos Campi by Vaughan Williams, and Tirsi and Clori (Ballo Concertato) by Monteverdi. Selections from Rennaisance madrigals and contemporary American music will also be sung. The chorus will be conducted by Professor Harold C. Schmidt of Stanford...

Author: NO WRITER ATTRIBUTED | Title: Chorus to Present Concert on Monday | 8/9/1956 | See Source »

...Effectively written, it shows much the same style and spirit as Irving Fine's Alice in Wonderland music. Also of recent vintage was "The Promise of Living" from Copland's opera The Tender Land. This warm work needs a slightly larger body of singers. The concert ended with Vaughan William's hearty Let All the World in Every Corner Sing, which wanted only a more robust accompaniment...

Author: NO WRITER ATTRIBUTED | Title: Concerts of the Week | 8/2/1956 | See Source »

...sacred works, 13 are by such Palestrina, Victoria, Byrd, Bach and Handel; while six are from such contemporaries as Milhaud and Vaughan Williams. Of the 36 secular works, three each come from the 16th and 17th centuries, seven each from the 18th, 19th and 20th, plus nine modern arrangements of older songs...

Author: By Caldwell Titcomb, | Title: Glee Club Stresses Quality and Breadth During Its European Tour This Summer | 7/2/1956 | See Source »

Previous | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | Next