Word: veasey
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Radiologists and photographers share a common urge to capture the hidden depths of people and things, though rarely do their skills and methods overlap. Since 1996, Nick Veasey has been combining the art of photography and the science of radiology to create images that reveal the surprising, fragile, sometimes disturbing inner structures of the human body, animals, plants and objects. He's collected around 200 of his favorites in X-Ray: See Through the World Around You, out in Britain this month...
...started when, given a chance to play with a scanner, Veasey chose to X-ray his own worn-out sneakers, the first of many "junk" items - toys, teacups, gadgets - he's since experimented with. "They may look awful on the surface," Veasey writes, "but once the internal workings are revealed ... all objects can be appreciated for their structure...
...Veasey has a studio in an old radar station lined with a foot of lead and equipped with an industrial scanner 60 times as powerful as medical ones. But to make a life-size X ray of a Boeing 777 for Boston's Logan Airport in 2003, even that wasn't enough - he needed artistic ingenuity too. Over several months, he digitally stitched together 500 separate X-rays of the plane. The resulting picture is exquisite and gets beneath the surface of every detail. Except for the pilot and crew: for them, Veasey used skeletons as stand...
Berlioz: La Damnation de Faust, with Nicolai Gedda, Jules Bastin, Josephine Veasey (London Symphony Orchestra and Chorus, Colin Davis conducting; Philips; 3 LPs; $20.94). This work exists on one of the composer's loftier plateaus of the mind rather than on a workable theatrical level. Thus Damnation is in many ways especially well suited to armchair listening. Continuing his masterly unprecedented series devoted to Berlioz's major works, Davis again conducts with suave professionalism and lightning-like flashes of insight and revelation...
None of the singers have flawless French diction, but otherwise the Philips cast seems nearly perfect. Tenor Jon Vickers' heroic-sounding Aeneas has both muscle and gentleness; Mezzo-Soprano Josephine Veasey sings Dido with a burnished-bronze quality that can range from love to outrage. As Cassandra, Soprano Berit Lindholm is splendidly equipped to trumpet the doom of Troy, even if her voice is a bit too high for this low-ranging role...