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...model of every artist's dream. "Imagine," wrote French Dramatist Henri Lavedan, "a woman with a body that suggests the perfection of Greek sculpture." "An antique marble," marveled Sculptor Antoine Bourdelle. "The Parthenon itself!" exclaimed Critic Carl van Vechten. She was America's first great dancer, Isadora Duncan...

Author: /time Magazine | Title: Exhibitions: Recalling Isadora | 8/19/1966 | See Source »

Died. Carl Van Vechten, 84, critic, novelist, photographer and Manhattan bon vivant, who at the age of 40 gave up a career as New York's style-setting dance and music critic to write seven popular, thinly fictionalized accounts (Nigger Heaven, The Tattooed Countess) of his own Prohibition-era bohemian ways, at 52 launched yet another career as a renowned, and certainly magnanimous, portrait photographer (he gave his work to his subjects free of charge), all the while amassing enough Negro manuscripts and phonograph records from his old uptown haunts to establish the U.S.'s largest collection...

Author: /time Magazine | Title: Milestones: Jan. 1, 1965 | 1/1/1965 | See Source »

...Vechten's Nigger Heaven, a Negro character says of the New Yorkers who live below Harlem...

Author: /time Magazine | Title: Nation: No Place Like Home | 7/31/1964 | See Source »

...those who cannot, subtitles provide the sense without depriving anyone of the vital, special sound of the original. This way, everyone in the audience is served; with dubbing, a large portion of the audience is cheated. Crowther also dismisses completely, as the eminent novelist-critic-essayist Carl Van Vechten remarked in his letter, the sizable number of deaf people, for whom subtitled movies constitute almost the only satisfactory theatrical experience. In addition the preservation of the original sound acts as a check against the insidious kind of distortion and censorship that characterized the dubbed versions of imported films distributed throughout...

Author: By Caldwell Titcomb, | Title: A Drubbing for Dubbing | 8/17/1960 | See Source »

When he was 40, Music Critic Carl Van Vechten was disposed to quit writing critical essays because at that age, he believed, his "intellectual arteries" had hardened. The affliction apparently did him no harm: after that he wrote seven novels about what made the Twenties roar (The Tattooed Countess, Nigger Heaven), twelve other books about music and himself, a definitive tome on cats (The Tiger in the House)-and all manner of critical essays, including some on photography, a durable interest in which versatile Van Vechten still excels. Still a chronic essayist, Van Vechten turned 80 last week...

Author: /time Magazine | Title: People, Jun. 27, 1960 | 6/27/1960 | See Source »

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