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STAY AWAKE (A&M). A collection of tunes from Disney films is a bundle of surprises. Suzanne Vega spooks her way through a Mary Poppins ditty; Tom Waits does a mine-shaft version of Heigh Ho; Ringo Starr and Herb Alpert loft When You Wish Upon a Star: a little eccentric but beguiling enough to be more than novelty...

Author: /time Magazine | Title: Critics' Choice: Dec. 19, 1988 | 12/19/1988 | See Source »

...concept of "party" at Harvard evokes certain images: a small, out-of-the-way room party--harmless because of its spontaneity; mixers on a cabinet next to a Mac; a little U2, Suzanne Vega, or even LL Cool J on the turntable. One can go to three or four little gatherings in a night, meet people, dance, and go home happy. And not worry about interference by Harvard or its agents...

Author: By Alvar J. Mattei, | Title: Red Wine Beats Out Red Tape | 2/22/1988 | See Source »

...surrendered to Kasparov two years earlier. But in the tense match game, with an astonishing virtuosity, Kasparov forced Karpov to resign. That left the final count tied at 12 and meant he retained his championship. The feat had the capacity crowd of 700 in the ornate Teatro Lope de Vega offering a 20-minute standing ovation. One expert called it the "most dramatic finish ever seen in world- championship chess...

Author: /time Magazine | Title: Sport: Virtuoso Performance in Seville | 12/28/1987 | See Source »

Sharon's song is not the first hit about child abuse. Last summer Folk-Rock Singer Suzanne Vega reached the Top Ten with Luka, a more understated and artful approach to the topic. Nonetheless, the mournful plea of Dear Mr. Jesus clearly strikes a chord. "You can go on with child-abuse announcements and public service all you want," says Buddy Scott, program director for WBBM-FM in Chicago, "but this song causes an emotion in you that you really are not prepared...

Author: /time Magazine | Title: Music: Dear Mr. Jesus | 12/21/1987 | See Source »

DIRECTOR Marci Bobis opens her version of Gamma Rays with the Suzanne Vega song "Small Blue Thing," its lyrics illustrated by slides of depression and grimness. As a prologue, the song provides an interesting interpretation of the play. But the snatches of the song that play between scenes disrupt the mood and continuity of Gamma Rays. It seems little more than a cover for the noises of a scene change...

Author: By Ross G. Forman, | Title: Marigold Madness | 10/24/1987 | See Source »

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