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...Bernie, Jack Haley, Alice Faye); The Prince and the Pauper (Billy & Bobby Mauch, Errol Flynn); A Star Is Born (Janet Gaynor, Fredric March); Make Way for Tomorrow (Victor Moore, Beulah Bondi); Kid Galahad (Edward G. Robinson, Bette Davis, Wayne Morris); Under the Red Robe (Raymond Massey, Annabella, Conrad Veidt); I Met Him in Paris (Claudette Colbert, Robert Young, Melvyn Douglas...

Author: /time Magazine | Title: Cinema: Also Showing | 6/14/1937 | See Source »

...Bernie, Jack Haley, Alice Faye); The Prince and, the Pauper (Billy & Bobby Mauch, Errol Flynn); A Star Is Born (Janet Gaynor, Fredric March); Make Way For Tomorrow (Victor Moore, Beulah Bondi); Kid Galahad (Edward G. Robinson, Bette Davis, Wayne Morris); Under the Red Robe (Raymond Massey, Annabella, Conrad Veidt...

Author: /time Magazine | Title: Cinema: Also Showing | 6/7/1937 | See Source »

...Power," the story of Jew Suss (Conrad Veidt) and a race oppressed, makes a strong bid for high honors as a second feature. Paying with wealth, self-respect and happiness as the price for power, Mr. Veidt presents a forceful character beautifully portrayed...

Author: NO WRITER ATTRIBUTED | Title: Tbe Crimson Moviegoer | 5/8/1937 | See Source »

...Paramount and Fenway we find two unexciting films, namely, "Brides Are Like That", a harmless and mildly amusing romance and "The Country Beyond", a saga of the Canadian Mounted writen by James Curwood and just what you'd imagine. Conrad Veidt stars in the Fine Arts presentation of "The Passing of the Third Floor Back", the ancient Jerome K. Jerome allegorical story telling about the bringing of sweetness and light into the lives of a bitter boarding house crew; for those with a quaint sense of humor...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 6/1/1936 | See Source »

There is little originality in the film, and the faults in recording and acting occasionally blind one to the mastery of its direction, the authenticity of its treatment, and the beauty of the scenery. As the cruel governor who tries to make slaves of the Swiss, Conrad Veidt is as impressive as always, but one wishes he were given more opportunity to act. His role is not the most important. William Tell is played by a Swiss whose chief claim to praise is the sincerity of his performance. With its many minor faults, the picture is particularly interesting in these...

Author: By H. V. P., | Title: The Playgoer | 10/4/1935 | See Source »

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